The beauty of the houri: heavenly virgins, feminine ideals
"The fascination with the houri, the pure female of Islamic paradise, began long before September 11, 2001. Beauty of the Houri: Heavenly Virgins, Earthly Jihad, and the Feminine Models of Islam demonstrates how the ambiguous reward of the houri, mentioned in the Qurʼan and developed in Islamic...
Main Author: | |
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Format: | Print Book |
Language: | English |
Subito Delivery Service: | Order now. |
Check availability: | HBZ Gateway |
WorldCat: | WorldCat |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
New York
Oxford University Press
[2021]
|
In: | Year: 2021 |
Standardized Subjects / Keyword chains: | B
Islam
/ Paradise
/ Huri
/ Reception
|
Further subjects: | B
Paradise
Islam
B Islamic eschatology |
Online Access: |
Inhaltsverzeichnis (Aggregator) |
Parallel Edition: | Electronic
|
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245 | 1 | 4 | |a The beauty of the houri |b heavenly virgins, feminine ideals |c Nerina Rustomji |
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520 | |a "The fascination with the houri, the pure female of Islamic paradise, began long before September 11, 2001. Beauty of the Houri: Heavenly Virgins, Earthly Jihad, and the Feminine Models of Islam demonstrates how the ambiguous reward of the houri, mentioned in the Qurʼan and developed in Islamic theological writings, has gained a distinctive place in English and French literature from the seventeenth to the twenty-first century and in digital material in the twenty-first century. The houri had multiple functions in Islamic texts that ranged from caretaker to pure companion to entertainment. French, English, and American writers used the houri to critique Islam and Muslim societies while also adopting the houri as a model of feminine beauty. Unlike earlier texts that presented different forms of the houri or universalized the houri for all women, writings about the houri after September 11th offer contradictory messages about Islam. In the twenty-first century, the image of the houri symbolizes a reward for violence and the possibility of gender parity. As a cosmic figure that inspires enduring questions about the promise of paradise and the idealized feminine form, the houri has a singular past and potential for future interpretation"-- | ||
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STA | 0 | 0 | |a Islam,Islam,Paradise,Paradise,Garden of Eden,Eden,Eden,Paradise in literature,Eden in art,Eden in literature,Reception,Reception,Impact,Afterlife |
STB | 0 | 0 | |a Islam,Islam,Paradis,Paradis,Éden,Réception <scientifique>,Réception <scientifique>,Influence intellectuelle,Influence intellectuelle,Influence intellectuelle (motif),Influence intellectuelle |
STC | 0 | 0 | |a Islam,Islam,Paraíso,Paraíso,Paraíso,Recepción,Recepción |
STD | 0 | 0 | |a Islam,Islam,Paradiso terrestre <motivo>,Paradiso terrestre,Eden,Eden,Paradiso terrestre,Eden (motivo),Eden,Ricezione,Ricezione |
STE | 0 | 0 | |a 伊斯兰教,伊斯兰教,回教,回教,天堂,天堂,乐园,伊甸乐园,乐园,伊甸乐园,接受,接收 |
STF | 0 | 0 | |a 伊斯蘭教,伊斯蘭教,回教,回教,天堂,天堂,樂園,伊甸樂園,樂園,伊甸樂園,接受,接收 |
STG | 0 | 0 | |a Islã,Islã,Paraíso,Paraíso,Recepção,Recepção |
STH | 0 | 0 | |a Восприятие (мотив),Восприятие,Ислам (мотив),Ислам,Рай (мотив),Рай |
STI | 0 | 0 | |a Αποδοχή (μοτίβο),Αποδοχή,Ισλάμ (μοτίβο),Ισλάμ,Παράδεισος <μοτίβο>,Παράδεισος,Εδέμ,Εδέμ (μοτίβο) |
SUB | |a REL | ||
SYG | 0 | 0 | |a Islam , Garten Eden,Eden , Houri,Huris,Ḥawrāʾ,Ḥūr,Ḥūrī,Ḥūrīya,Paradiesjungfrau , Fortwirken,Nachwirkung,Nachleben,Wirkungsgeschichte,Aneignung |