Can Music “Mirror” God?: A Theological-Hermeneutical Exploration of Music in the Light of Arvo Pärt’s Spiegel im Spiegel
A theological exploration of the potential of non-liturgical instrumental music for the transmission of religious Christian faith experience, based on a hermeneutical tool drawn from Jean-Jacques Nattiez as applied to Arvo Pärt’s Spiegel im Spiegel. The article explores musical composition, receptio...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
MDPI
[2014]
|
In: |
Religions
Year: 2014, Volume: 5, Issue: 2, Pages: 361-384 |
Further subjects: | B
Pärt
B Ascension B Faith and culture B Music B Presence B Aesthetics B Sequeri B Semiotics B Nattiez B Spiegel im Spiegel |
Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
MARC
LEADER | 00000caa a22000002 4500 | ||
---|---|---|---|
001 | 1745009779 | ||
003 | DE-627 | ||
005 | 20210120151829.0 | ||
007 | cr uuu---uuuuu | ||
008 | 210119s2014 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.3390/rel5020361 |2 doi | |
035 | |a (DE-627)1745009779 | ||
035 | |a (DE-599)KXP1745009779 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)1135308543 |0 (DE-627)890264821 |0 (DE-576)420589201 |4 aut |a Heaney, Maeve Louise |d 1967- | |
109 | |a Heaney, Maeve Louise 1967- |a Heaney, Maeve L. 1967- | ||
245 | 1 | 0 | |a Can Music “Mirror” God? |b A Theological-Hermeneutical Exploration of Music in the Light of Arvo Pärt’s Spiegel im Spiegel |
264 | 1 | |c [2014] | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a A theological exploration of the potential of non-liturgical instrumental music for the transmission of religious Christian faith experience, based on a hermeneutical tool drawn from Jean-Jacques Nattiez as applied to Arvo Pärt’s Spiegel im Spiegel. The article explores musical composition, reception, as well as the piece of music in itself, to discover common traits and keys to understanding its “meaning”, and relate it to current thought and development in theology; in particular to themes of creativity, theological aesthetics, the Ascension, the artistic vocation and meaning-making in contemporary culture, through music and films. | ||
601 | |a Pärt, Arvo | ||
601 | |a Spiegelung | ||
650 | 4 | |a Ascension | |
650 | 4 | |a Nattiez | |
650 | 4 | |a Pärt | |
650 | 4 | |a Sequeri | |
650 | 4 | |a Spiegel im Spiegel | |
650 | 4 | |a Aesthetics | |
650 | 4 | |a Faith and culture | |
650 | 4 | |a Music | |
650 | 4 | |a Presence | |
650 | 4 | |a Semiotics | |
773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 5(2014), 2, Seite 361-384 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
773 | 1 | 8 | |g volume:5 |g year:2014 |g number:2 |g pages:361-384 |
856 | |u https://www.mdpi.com/2077-1444/5/2/361/pdf?version=1396340339 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/5/2/361 |x Verlag |
856 | |u https://doi.org/10.3390/rel5020361 |x doi |3 Volltext | ||
951 | |a AR | ||
ELC | |a 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 3839401577 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1745009779 | ||
LOK | |0 005 20210119174034 | ||
LOK | |0 008 210119||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo |a rwrk | ||
OAS | |a 1 | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
SUB | |a REL |