End of the Line - A Play in One Act
In this short play, the playwright drew on her experience as a voiceover talent for bus transportation and Global Positioning Systems. The drama humanizes a voice we love to hate, and subsequently adds layers of back-story and meaning to a deceptively slight one-act, which begins in one reality, and...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
MDPI
[2013]
|
In: |
Religions
Year: 2013, Volume: 4, Issue: 3, Pages: 351-357 |
Further subjects: | B
Play
B Drama B playwright B one-act B voiceover |
Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
Summary: | In this short play, the playwright drew on her experience as a voiceover talent for bus transportation and Global Positioning Systems. The drama humanizes a voice we love to hate, and subsequently adds layers of back-story and meaning to a deceptively slight one-act, which begins in one reality, and ends in another. |
---|---|
ISSN: | 2077-1444 |
Contains: | Enthalten in: Religions
|
Persistent identifiers: | DOI: 10.3390/rel4030351 |