The Offence of Beauty in Modern Western Art Music
In recent decades, beauty has become a largely unfashionable, even offensive notion within art and philosophy. As Eastern Orthodox theologian, David Bentley Hart, has pointed out, this offence has a twofold sense. Firstly, the ‘beautiful’ has been dismissed as philosophically insignificant in compar...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
MDPI
[2013]
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| Dans: |
Religions
Année: 2013, Volume: 4, Numéro: 4, Pages: 687-700 |
| Sujets non-standardisés: | B
Beauty
B Leibowitz B David Hart B Adorno B atonality B Messiaen |
| Accès en ligne: |
Accès probablement gratuit Volltext (Verlag) Volltext (doi) |
| Résumé: | In recent decades, beauty has become a largely unfashionable, even offensive notion within art and philosophy. As Eastern Orthodox theologian, David Bentley Hart, has pointed out, this offence has a twofold sense. Firstly, the ‘beautiful’ has been dismissed as philosophically insignificant in comparison to the ‘sublime’ by an intellectual tradition tracing itself back to Immanuel Kant’s Critique of Judgment. Secondly, the making of apparently beautiful art has, especially after the Shoah, frequently been regarded as ethically offensive in the face of suffering in the world. The present essay discusses how these two critiques of the beautiful find themselves reflected in twentieth and twenty-first century musical aesthetics, with particular reference to the writings of Theodor W. Adorno, and asks what solutions have been found by composers of Christian sacred music in the Western tradition confronted by this ‘taboo on beauty’. |
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| ISSN: | 2077-1444 |
| Contient: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel4040687 |