Judaism and Islam, one God one music: the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources
The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥ...
| Published in: | Brill's series in Jewish studies |
|---|---|
| Main Author: | |
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Leiden Boston
Brill
[2020]
|
| In: |
Brill's series in Jewish studies (volume 66)
|
| Series/Journal: | Brill's series in Jewish studies
volume 66 |
| RelBib Classification: | BH Judaism |
| Further subjects: | B
Jewish religious poetry, Hebrew
History and criticism
B Interfaith dialogue B Synagogue music (Iraq) (Baghdad) B Piyut B Piyutim History and criticism B Thesis B Arabs (Iraq) Songs and music Influence B Judaism Relations Islam B Islam Relations Judaism B Islam B Jews (Iraq) (Baghdad) Songs and music B Judaism B Iraq B Liturgical singing |
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| 245 | 1 | 0 | |a Judaism and Islam, one God one music |b the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources |c by Merav Rosenfeld-Hadad |
| 264 | 1 | |a Leiden |a Boston |b Brill |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a xiv, 297 Seiten |b Illustration, Faksimile |c 24 cm | ||
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| 490 | 1 | |a Brill's series in Jewish studies |v volume 66 | |
| 500 | |a Revised dissertation (Ph. D.), St. Edmund's College (University of Cambridge), 2009 | ||
| 500 | |a Includes bibliographical references (pages 257-280) and index | ||
| 502 | |b Dissertation |c University of Cambridge |d 2009 | ||
| 520 | |a The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥif. | ||
| 520 | |a "In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song's texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas"-- | ||
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