Judaism and Islam, one God one music: the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources
The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥ...
| Veröffentlicht in: | Brill's series in Jewish studies |
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| 1. VerfasserIn: | |
| Medienart: | Druck Buch |
| Sprache: | Englisch |
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| Buchbeschaffung: | Lade...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Leiden Boston
Brill
[2020]
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| In: |
Brill's series in Jewish studies (volume 66)
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| Schriftenreihe/Zeitschrift: | Brill's series in Jewish studies
volume 66 |
| RelBib Classification: | BH Judentum |
| weitere Schlagwörter: | B
Jewish religious poetry, Hebrew
History and criticism
B Interfaith dialogue B Synagogue music (Iraq) (Baghdad) B Piyut B Piyutim History and criticism B Thesis B Arabs (Iraq) Songs and music Influence B Judaism Relations Islam B Islam Relations Judaism B Islam B Jews (Iraq) (Baghdad) Songs and music B Judaism B Iraq B Liturgical singing |
| Zusammenfassung: | The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥif. "In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song's texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas"-- |
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| Beschreibung: | Revised dissertation (Ph. D.), St. Edmund's College (University of Cambridge), 2009 Includes bibliographical references (pages 257-280) and index |
| ISBN: | 900441262X |