Bilder und visuelles Erinnern in und durch Medien: Gedanken zu einer Ethik der Anerkennung und Sichtbarkeit
In commemorative discourse and remembrance in and through the media documentary photographs and moving pictures play a special role. This applies to the media commemorations of the Holocaust as well as to the peaceful Revolution 1989, to 9/11 or more recent events such as the attack in Halle in 2019...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Nomos
[2020]
|
| In: |
Communicatio socialis
Year: 2020, Volume: 53, Issue: 4, Pages: 456-469 |
| Standardized Subjects / Keyword chains: | B
Media
/ Visuelles Gedächtnis
/ Journalism
/ Discourse
/ Transnationaization
/ Ethics
|
| RelBib Classification: | TA History ZG Media studies; Digital media; Communication studies |
| Online Access: |
Volltext (Resolving-System) |
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| 520 | |a In commemorative discourse and remembrance in and through the media documentary photographs and moving pictures play a special role. This applies to the media commemorations of the Holocaust as well as to the peaceful Revolution 1989, to 9/11 or more recent events such as the attack in Halle in 2019. Visual memory entails specific ethical challenges within the context of journalistic production and publication. Remembrance research conducted by the communication sciences has observed a "transnationalization" and a "transculturalization" of media remembrance discourse and practices. In light of this transformation it becomes apparent that the role of images employed in media commemorations is no longer adequately expressed by the previous theories concerning collective memory and that new ethical questions are raised. | ||
| 520 | |a Dokumentarische Fotografien und Bewegtbilder - speziell historischer Aufnahmen - spielen in Erinnerungsdiskursen und Gedenken in und durch Medien eine besondere Rolle. Das gilt für das mediale Gedenken an den Holocaust ebenso wie an die friedliche Revolution 1989, an 9/11 oder an jüngere Ereignisse wie den Anschlag in Halle 2019. Visuelles Erinnern birgt spezifische ethische Herausforderungen im journalistischen Produktions- und Publikationskontext. Die kommunikationswissenschaftliche Erinnerungsforschung beobachtet ferner eine "Transnationalisierung" und "Transkulturalisierung" medialer Erinnerungsdiskurse und -praktiken. Angesichts dieser Transformationen wird sichtbar, dass sich die Funktionen von Bildern im medialen Erinnern mit den bisherigen Theorien kollektiver Erinnerung nicht mehr adäquat erfassen lassen und neue ethische Fragen aufwerfen. | ||
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