Penitence and Crusade in the Assumption Chapel of the Real Monasterio de Las Huelgas, Burgos
Abstract This study aims to interpret the visual qualities of the Assumption Chapel, located in the Cistercian monastery of Santa Maria La Real de Las Huelgas, Burgos. Rejecting the “mudejar” paradigm often used to explain the chapel’s connections to Andalusi architecture, the article instead consid...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill
2020
|
In: |
Medieval encounters
Year: 2020, Volume: 26, Issue: 6, Pages: 578-606 |
Standardized Subjects / Keyword chains: | B
Monasterio de Santa María la Real de Huelgas (Burgos)
/ Chapel
/ Iconographic program
|
RelBib Classification: | CE Christian art CG Christianity and Politics KBH Iberian Peninsula |
Further subjects: | B
reconquest
B Crusade B Mudejar architecture B Las Huelgas B Cistercian architecture |
Online Access: |
Volltext (Resolving-System) Volltext (Verlag) |
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520 | |a Abstract This study aims to interpret the visual qualities of the Assumption Chapel, located in the Cistercian monastery of Santa Maria La Real de Las Huelgas, Burgos. Rejecting the “mudejar” paradigm often used to explain the chapel’s connections to Andalusi architecture, the article instead considers its relationships to a group of twelfth- and thirteenth-century domed churches in Iberia and the French Pyrenees, as well as to Las Huelgas’s adjacent, late-Romanesque cloister. In so doing, it situates the Assumption Chapel in a broader context of monuments related to penitence and crusade in the Holy Land and Iberia. It also considers the chapel’s form and function in the light of Las Huelgas’s ritual topography. Most broadly, this study shows how seemingly incongruent visual languages—in this case Romanesque and Andalusi—can comprise a coherent program of imagery. | ||
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