For One and or for Many: Affluent and Common Patronage of Narrative Art in Tibet
Visual narratives occupy a prominent position in Tibetan art, and like performing arts and public religious rituals, directly engage their viewers, participants, and creators in the production and use of a specific art form. However, the role of pictorial narrative traditions remains largely overloo...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Taylor & Francis
2021
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| In: |
Material religion
Year: 2021, Volume: 17, Issue: 1, Pages: 29-55 |
| Standardized Subjects / Keyword chains: | B
Tibet
/ Maecenatism
/ Lukhang Lhasa
/ Mural painting
/ Padmasaṃbhava 717-762
/ Life
/ Story
/ Painting
/ Thangka
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| RelBib Classification: | AD Sociology of religion; religious policy AG Religious life; material religion BL Buddhism KBM Asia |
| Further subjects: | B
murals
B Lukhang temple B Tibetan Buddhist art and culture B thangka painting B Patronage B visual narratives |
| Online Access: |
Volltext (lizenzpflichtig) |