Utopia and history: Some remarks about Nikolai Berdjaev’s struggle with history
The article deals with the philosophy of Nikolai Berdjaev (1874-1948), which he formulated between The Philosophy of Inequality (written in 1918, but published in 1923) and The New Middle-Ages (1924). Berdjaev’s philosophy is analyzed in the context of the Russian Revolution of 1917 and its aftermat...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Springer Nature B. V.
[2010]
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| In: |
Studies in East European thought
Year: 2010, Volume: 62, Issue: 1, Pages: 71-79 |
| Further subjects: | B
philosophy of history
B Conservatism B crisis of democracy B History of religion B Russian Revolution B Socialism B Utopia / utopianism |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a The article deals with the philosophy of Nikolai Berdjaev (1874-1948), which he formulated between The Philosophy of Inequality (written in 1918, but published in 1923) and The New Middle-Ages (1924). Berdjaev’s philosophy is analyzed in the context of the Russian Revolution of 1917 and its aftermath. The other point of reference is the crisis of culture and civilisation, which affected the West in the inter-war period. Berdjaev’s position has been interpreted in view of the archetypal myth of the struggle of the two principles, the principle of order (cosmos) and the forces of destruction (chaos). This myth is tied to the millenialist world view. Berdjaev took an anti-utopian stance. He juxtaposed the utopian-revolutionary principle with the hierarchical-creative one. From this position he criticized among others democracy, liberalism and socialism. In the midst of the crisis of the 1920s he remarked the possibility of spiritual rejuvenation putting forward the concept of the New Middle-Ages. One can say that at that time Berdjaev’s philosophy evolved within the conservative-creative framework, from the utopia of conservatism to the utopia of ‘free creativity’. | ||
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