Immanuel of Rome’s Bisbidis: An Italian Maqāma?
Abstract Although Immanuel of Rome’s Bisbidis abounds with onomatopoeic inventiveness, it has received little critical attention aside from its status as a curiosity: a dazzling poem by the only Italian Jew with extant medieval Italian lyrics. While this paper explores Immanuel’s familiarity with wo...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2021
|
| In: |
Medieval encounters
Year: 2021, Volume: 27, Issue: 1, Pages: 78-115 |
| Standardized Subjects / Keyword chains: | B
ʿImanuʾel ben Shelomoh 1265-1330, Bisbidis
/ Maqamah
|
| RelBib Classification: | AX Inter-religious relations BH Judaism CC Christianity and Non-Christian religion; Inter-religious relations KBJ Italy |
| Further subjects: | B
maqāma
B Italy B Immanuel of Rome B Italian lyric B Hebrew literature in Italy |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a Abstract Although Immanuel of Rome’s Bisbidis abounds with onomatopoeic inventiveness, it has received little critical attention aside from its status as a curiosity: a dazzling poem by the only Italian Jew with extant medieval Italian lyrics. While this paper explores Immanuel’s familiarity with works by Cecco Angiolieri, Dante Alighieri, and other duecento Italian poets, it aims to demonstrate the ways in which Bisbidis embodies the medieval Hebrew-via-Arabic genre of the maqāma. After providing background on secular medieval Hebrew literature composed in the Mediterranean region and situating Immanuel’s composition in its literary-historical context, I evaluate several components – including thematic, formal, and philological correspondences – that Bisbidis shares with the Hebrew maqāma. | ||
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