Recovering World-Welcoming Words: Language, Metaphysics, and the Voice of Nature
This article presents a theological-literary response to a concern in contemporary theory with heeding and articulating the speech of nonhuman things. Drawing from Rowan Williams’ metaphysics of poetic addition, I argue that an ‘ecotheological’ literary practice challenges us to become attentive and...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2021
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| In: |
Religions
Year: 2021, Volume: 12, Issue: 7 |
| Further subjects: | B
Nature
B ecology and religion B metaphysics of language B Timothy Morton B Shakespeare B Jean-Louis Chrétien B theology and literature B Ecotheology B King Lear B Rowan Williams |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This article presents a theological-literary response to a concern in contemporary theory with heeding and articulating the speech of nonhuman things. Drawing from Rowan Williams’ metaphysics of poetic addition, I argue that an ‘ecotheological’ literary practice challenges us to become attentive and responsive to the language of the nonhuman, by creatively performing the co-mingling of nonhuman and human language. Drawing from Jean-Louis Chrétien’s phenomenology of the voice, I propose a theological conception of language as a gift of hospitality to the voice of nonhuman things that is also a gift of poetic addition—a ‘saying more’ which, adding being to the world, also manifests its gift-like nature. In contrast to recent critical approaches, I argue for the qualified retrieval of ‘nature’ as a figure both literary and theological, a voice that gives voice to things and speaks by means of human literary production. Through a reading of Shakespeare’s King Lear, I show that the paradoxical and poetic ambiguities of the literary sense of ‘nature’ serve precisely to shed light on its suspect modern iteration, while at the same time taking us beyond critique to enable a cautious yet attentive retrieval of its poetic and symbolic scope. | ||
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