‘When the Animals Came’: The Genesis and Writing of an Ecotheological Poem, with Commentary
This article traces the genesis and composition of my poetic sequence, ‘When the Animals Came’ including as illustration of the poetic process a section from Part IV, ‘Spring’ with commentary. In order to understand the culture, art and religious beliefs of Paleolithic society, extensive research wa...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
MDPI
2021
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| Dans: |
Religions
Année: 2021, Volume: 12, Numéro: 7 |
| Sujets non-standardisés: | B
parietal art / cave
B Climate Change B Environnement (art) B ancient religious beliefs B Poetry B Ecotheology B Paleolithic |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This article traces the genesis and composition of my poetic sequence, ‘When the Animals Came’ including as illustration of the poetic process a section from Part IV, ‘Spring’ with commentary. In order to understand the culture, art and religious beliefs of Paleolithic society, extensive research was needed, both at prehistoric sites, and in the archaeological literature, which I discuss; writing this poem also led me to re-assess how deeply and anciently faith is linked to our place in nature. Thus, the compositional process afforded me a new understanding of the complex relationship between humankind, environment and spiritual belief. Paleolithic culture engaged all three directly, seeing them as interdependent; this has considerable relevance to modern ecological concerns. My poem is an attempt to show creatively how such engagement constitutes part of our identity as human beings. | ||
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