Secularist Humanism, Law and Religion in Ian McEwan’s The Children Act
Ian McEwan’s The Children Act focuses on a real-life conflict between religion and children’s rights in a pluralist society. By drawing on Charles Taylor’s work on religion in the “secular age”, I argue that McEwan’s narrative is ultimately built on secularist assumptions that devalue religious expe...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2021
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| In: |
Religions
Year: 2021, Volume: 12, Issue: 7 |
| Further subjects: | B
Charles Taylor
B Law B secularist humanism B Religion B Jehovah’s Witnesses B immanent frame |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a Ian McEwan’s The Children Act focuses on a real-life conflict between religion and children’s rights in a pluralist society. By drawing on Charles Taylor’s work on religion in the “secular age”, I argue that McEwan’s narrative is ultimately built on secularist assumptions that devalue religious experience. McEwan’s approach aims to build a bridge between literary imagination and scientific rationality: religion is, from this perspective, reducible to a “fable” and an authority structure incongruous with legal rationality and the quest for meaning in the modern-secular society. In The Children Act, art substitutes religion and its aspiration to transcendence: music in particular is a universal idiom that can overcome barriers of communication and provides “ecstatic” experiences in a godless world. | ||
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