Kierkegaard’s Three Spheres and Cinematic Fairy Tale Pedagogy in Frozen, Moana, and Tangled
Although Disney films are sometimes denigrated as popular or “low” art forms, this article argues that they often engage deeply with, and thereby communicate, significant moral truths. The capitalistic enterprise of contemporary modern cinema demands that cinematic moral pedagogy be sublimated into...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
University of Saskatchewan
2021
|
In: |
Journal of religion and popular culture
Year: 2021, Volume: 33, Issue: 2, Pages: 105-119 |
Further subjects: | B
Disney movies
B Disney B Fairy tales B Kierkegaard B Philosophy of religion B Family B Faith B Secular faith B Existentialism |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
MARC
LEADER | 00000naa a22000002 4500 | ||
---|---|---|---|
001 | 1765257182 | ||
003 | DE-627 | ||
005 | 20210802154559.0 | ||
007 | cr uuu---uuuuu | ||
008 | 210802s2021 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.3138/jrpc.2018-0027 |2 doi | |
035 | |a (DE-627)1765257182 | ||
035 | |a (DE-599)KXP1765257182 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |a Holdier, A. G. |e VerfasserIn |4 aut | |
245 | 1 | 0 | |a Kierkegaard’s Three Spheres and Cinematic Fairy Tale Pedagogy in Frozen, Moana, and Tangled |
264 | 1 | |c 2021 | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a Although Disney films are sometimes denigrated as popular or “low” art forms, this article argues that they often engage deeply with, and thereby communicate, significant moral truths. The capitalistic enterprise of contemporary modern cinema demands that cinematic moral pedagogy be sublimated into non-partisan forms, often by substituting secular proxies for otherwise divine or spiritual components. By adapting Søren Kierkegaard’s tripartite existential anthropology of the self, I analyze the subjective experiences of the protagonists in three recent animated fairy tales—Disney’s Frozen, Moana, and Tangled—to demonstrate how these princess movies bridge the imaginative gap between the mundane and the divine. | ||
650 | 4 | |a Disney | |
650 | 4 | |a Disney movies | |
650 | 4 | |a Kierkegaard | |
650 | 4 | |a Existentialism | |
650 | 4 | |a Fairy tales | |
650 | 4 | |a Faith | |
650 | 4 | |a Family | |
650 | 4 | |a Philosophy of religion | |
650 | 4 | |a Secular faith | |
773 | 0 | 8 | |i Enthalten in |t Journal of religion and popular culture |d Saskatoon, SK : University of Saskatchewan, 2002 |g 33(2021), 2, Seite 105-119 |h Online-Ressource |w (DE-627)363761780 |w (DE-600)2106386-2 |w (DE-576)281223165 |x 1703-289X |7 nnns |
773 | 1 | 8 | |g volume:33 |g year:2021 |g number:2 |g pages:105-119 |
856 | 4 | 0 | |u https://doi.org/10.3138/jrpc.2018-0027 |x Resolving-System |z lizenzpflichtig |3 Volltext |
856 | 4 | 0 | |u https://utpjournals.press/doi/abs/10.3138/jrpc.2018-0027 |x Verlag |z lizenzpflichtig |3 Volltext |
935 | |a mteo | ||
951 | |a AR | ||
ELC | |a 1 | ||
ITA | |a 1 |t 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 3959200080 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1765257182 | ||
LOK | |0 005 20210802154559 | ||
LOK | |0 008 210802||||||||||||||||ger||||||| | ||
LOK | |0 035 |a (DE-Tue135)IxTheo#2021-08-16#0FF4CC32FCF007668D1249D279B07C59CA771598 | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
SUB | |a REL |