Lurching towards a canon: Mahāyāna Sūtras in Khotanese garb

The concept of canon centers around authority. Assertions about canonicity both reflect and reshape the structure and the source of authority. In a Buddhist context, processes of canonization are highly fluid and complex, shedding light on the socio-religious landscapes of different Buddhist culture...

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Publié dans:Entangled Religions
Auteur principal: Chen, Ruixuan 1987- (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Ruhr-Universität Bochum 2021
Dans: Entangled Religions
Année: 2020, Volume: 11, Numéro: 6
Sujets / Chaînes de mots-clés standardisés:B Hotan / Bouddhisme mahāyāna / Littérature bouddhiste / Canon
RelBib Classification:AB Philosophie de la religion
KBM Asie
Sujets non-standardisés:B Canon
B Authority
B Mahāyāna Buddhism
B Canonization
B tradent
B Central Asia
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Résumé:The concept of canon centers around authority. Assertions about canonicity both reflect and reshape the structure and the source of authority. In a Buddhist context, processes of canonization are highly fluid and complex, shedding light on the socio-religious landscapes of different Buddhist cultures. The present essay explores the complexities of canonization by focusing on a specific Buddhist culture on the ancient Silk Routes, where Mahāyāna sūtras, a collection of Buddhist literature of disputed authenticity in India, were accepted as scriptural and canonized in a remarkable manner. Through the lens of an indigenous Buddhist poem, the author argues that the reception and canonization of Mahāyāna sūtras give illuminating clues about a pivotal transition in the history of this Buddhist kingdom named Khotan, where both the removal and the bestowal of authority took place.
ISSN:2363-6696
Contient:Enthalten in: Entangled Religions
Persistent identifiers:DOI: 10.46586/er.11.2020.8774