Canones: the art of harmony: the canon tables of the four gospels
The so-called ‘Canon Tables’ of the Christian Gospels are an absolutely remarkable feature of the early, late antique, and medieval Christian manuscript cultures of East and West, the invention of which is commonly attributed to Eusebius and dated to first decades of the fourth century AD. Intended...
Contributors: | ; ; |
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Format: | Electronic Book |
Language: | English |
Check availability: | HBZ Gateway |
WorldCat: | WorldCat |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
[Erscheinungsort nicht ermittelbar]
De Gruyter
2020
|
In: |
Studies in manuscript cultures (volume 18)
Year: 2020 |
Reviews: | [Rezension von: Canones: the art of harmony : the canon tables of the four gospels] (2023) (Kraus, Thomas J., 1965 -)
|
Series/Journal: | Studies in manuscript cultures
volume 18 |
Standardized Subjects / Keyword chains: | B
Kanontafeln
/ Illuminated manuscript
/ History 300-800
B Eusebian Canon Tables / Reception / History |
RelBib Classification: | HC New Testament |
Further subjects: | B
Collection of essays
|
Online Access: |
Volltext (kostenfrei) |
Parallel Edition: | Non-electronic
|
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520 | |a The so-called ‘Canon Tables’ of the Christian Gospels are an absolutely remarkable feature of the early, late antique, and medieval Christian manuscript cultures of East and West, the invention of which is commonly attributed to Eusebius and dated to first decades of the fourth century AD. Intended to host a technical device for structuring, organizing, and navigating the Four Gospels united in a single codex – and, in doing so, building upon and bringing to completion previous endeavours – the Canon Tables were apparently from the beginning a highly complex combination of text, numbers and images, that became an integral and fixed part of all the manuscripts containing the Four Gospels as Sacred Scripture of the Christians and can be seen as exemplary for the formation, development and spreading of a specific Christian manuscript culture across East and West AD 300 and 800. In the footsteps of Carl Nordenfalk’s masterly publication of 1938 and few following contributions, this book offers an updated overview on the topic of ‘Canon Tables’ in a comparative perspective and with a precise look at their context of origin, their visual appearance, their meaning, function and their usage in different times, domains, and cultures | ||
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STA | 0 | 0 | |a Eusebian Canon Tables,History,History,History in art,Illuminated manuscript,Manuscript,Reception,Reception,Impact,Afterlife |
STB | 0 | 0 | |a Histoire,Histoire,Histoire,Manuscrit enluminé,Réception <scientifique>,Réception <scientifique>,Influence intellectuelle,Influence intellectuelle,Influence intellectuelle (motif),Influence intellectuelle,Tables des canons,Canon eusébien,Canon eusébien |
STC | 0 | 0 | |a Cánones eusebianos,Historia,Historia,Historia,Manuscrito iluminado,Recepción,Recepción |
STD | 0 | 0 | |a Canoni eusebiani,Tavole eusebiane,Tavole eusebiane,Manoscritto miniato,Ricezione,Ricezione,Storia,Storia |
STE | 0 | 0 | |a 历史,史,接受,接收,泥金装饰手抄本 |
STF | 0 | 0 | |a 接受,接收,歷史,史,泥金裝飾手抄本 |
STG | 0 | 0 | |a Cânones eusebianos,História,História,Iluminura,Recepção,Recepção |
STH | 0 | 0 | |a Восприятие (мотив),Восприятие,Иллюминированная рукопись,История (мотив),История,Таблицы канонов Евсевия |
STI | 0 | 0 | |a Αποδοχή (μοτίβο),Αποδοχή,Ευσεβιανοί πίνακες Βιβλικών Κανόνων,Ιστορία (μοτίβο),Ιστορία,Φωτισμένο χειρόγραφο |
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TIM | |a 100003000101_100008001231 |b Geschichte 300-800 |