THINKING THROUGH KIERKEGAARD'S ANTI-CLIMACUS: ART, IMAGINATION, AND IMITATION
What place do imagination and art have in Christian existence? This paper examines this question through the writings of Kierkegaard's pseudonym Anti-Climacus: The Sickness Unto Death and Practice in Christianity. I focus on the latter work in particular because it best illustrates the importan...
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| Format: | Electronic Article |
| Language: | English |
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Wiley-Blackwell
2009
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| In: |
Heythrop journal
Year: 2009, Volume: 50, Issue: 3, Pages: 448-465 |
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Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a What place do imagination and art have in Christian existence? This paper examines this question through the writings of Kierkegaard's pseudonym Anti-Climacus: The Sickness Unto Death and Practice in Christianity. I focus on the latter work in particular because it best illustrates the importance of imagination in following after (Efterfølgelse) Christ in imitation, which Anti-Climacus presents as the proper task of faithful Christian existence. After outlining both his critique and his affirmation of the imagination, I then consider what role the notion of ‘Christian art’ might play in his account of the imitation of Christ. Anti-Climacus gives a severe critique of Christian art, insofar as it disposes the viewer to detached observation and admiration – rather than imitation – of Christ. However, an earlier passage in the same text gives a provocative yet cryptic indication of the sort of art that would not succumb to this danger. Taking a cue from the phenomenology of Jean-Luc Marion, I draw out this suggestion and argue for the important role that visual art can play in imitating Christ. The final section illustrates this point briefly with three paintings: Matthias Grünewald's Crucifixion, Hans Holbein's The Body of the Dead Christ in the Tomb, and Albrecht Dürer's Self-Portrait (1500). | ||
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