Aristophanes and the Cult of the Saviour = Aristofane e il culto del salvatore
Aristophanes’ Knights, Peace, and Birds are deeply interested in the figure of the civic “saviour”, who is depicted as a Gottmensch: a man become god or, at least, a man deserving of religious treatment such as the gods receive. While the Aristophanic treatment of the theme contains many parodic, pa...
| Subtitles: | Aristofane e il culto del salvatore |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Salvatore Sciascia EDITO R. E.
2020
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| In: |
Mythos
Year: 2020, Volume: 14, Pages: 1-30 |
| Further subjects: | B
culto del salvatore
B ruler-cult B God-man B culto del sovrano B Epiphany B epifania B Aristophanes B saviour cult B Aristofane |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a Aristophanes’ Knights, Peace, and Birds are deeply interested in the figure of the civic “saviour”, who is depicted as a Gottmensch: a man become god or, at least, a man deserving of religious treatment such as the gods receive. While the Aristophanic treatment of the theme contains many parodic, paratragic, and metatheatrical elements, it arguably still offers a utilizable and unique window onto real-life practices concerning fifth-century BCE Gottmensch- and saviour-figures. Aristophanic comedy consequently has a role to play in the reconstruction of the early history of saviour- and ruler-cult, prior to the divine cult given to Lysandros in his own lifetime at Samos in 404 BCE. | ||
| 520 | |a I Cavalieri, la Pace e gli Uccelli di Aristofane sono commedie da cui emerge un profondo interesse verso la figura del “salvatore” civile, che viene raffigurato come un Gottmensch: un uomo che diventa dio o, quanto meno, un uomo reputato meritevole di ricevere onori religiosi come quelli che si tributano agli dei. Benché questo tema presso Aristofane contenga molti elementi parodici, paratragici e metateatrali, esso probabilmente apre ancora una finestra utile e unica sulle pratiche della vita quotidiana riguardanti le figure del Gottmensch e del salvatore del V secolo a.C. La commedia aristofanea può quindi svolgere un ruolo importante nella ricostruzione del culto del salvatore e del sovrano nel periodo precedente al culto divino, a Samo nel 404, a.C.conferito a Lisandro quando era ancora in vita | ||
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| 650 | 4 | |a ruler-cult | |
| 650 | 4 | |a saviour cult | |
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