La réécriture des rituels d'invocation des esprits dans les traditions latines attribuées à Salomon (xiie-xve siècle) = Rewriting the rituals of the invocation of spirits in the Latin traditions attributed to Solomon (12th-15th c.)
Les traditions latines de magie rituelle attribuées à Salomon, loin d'avoir une forme stable, sont l'objet de réécritures permanentes au fil des copies de manuscrits. À l'aide de deux exemples mieux documentés que les autres, celui de l'Ars notoria d'une part, celui de l...
Subtitles: | Rewriting the rituals of the invocation of spirits in the Latin traditions attributed to Solomon (12th-15th c.) |
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Main Author: | |
Format: | Electronic Article |
Language: | French |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Colin
2021
|
In: |
Revue de l'histoire des religions
Year: 2021, Volume: 238, Issue: 4, Pages: 699-728 |
Standardized Subjects / Keyword chains: | B
Ars notoria
/ Almandal
/ Spiritism
/ Ritual
/ Revision
/ History 1100-1500
|
RelBib Classification: | AB Philosophy of religion; criticism of religion; atheism AZ New religious movements TG High Middle Ages TH Late Middle Ages |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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245 | 1 | 3 | |a La réécriture des rituels d'invocation des esprits dans les traditions latines attribuées à Salomon (xiie-xve siècle) |b = Rewriting the rituals of the invocation of spirits in the Latin traditions attributed to Solomon (12th-15th c.) |
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520 | |a Les traditions latines de magie rituelle attribuées à Salomon, loin d'avoir une forme stable, sont l'objet de réécritures permanentes au fil des copies de manuscrits. À l'aide de deux exemples mieux documentés que les autres, celui de l'Ars notoria d'une part, celui de l'Almandal d'autre part, nous pouvons suivre les principales dynamiques à l'œuvre, qu'il s'agisse d'accroître le nombre de signes considérés comme performatifs, de simplifier une tradition jugée trop complexe, ou encore de christianiser des arts unanimement condamnés par les autorités ecclésiastiques. Tradition, innovation et autorité se rencontrent ainsi à différents niveaux. | ||
520 | |a The Latin traditions of ritual magic attributed to Solomon, far from having a stable form, were the object of permanent rewritings when they were copied into manuscripts. With the help of two examples that are better documented than the others, the Ars notoria on the one hand, and the Almandal on the other, we can follow the main dynamics at work, whether it is a question of increasing the number of signs considered as performative, simplifying a tradition considered as too complex, or Christianizing arts unanimously condemned by ecclesiastical authorities. Tradition, innovation and authority thus come together at different levels. | ||
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