Morphology and Markedness: On Verb Switching in Hebrew Poetry
Historically, grammarians have viewed tenses as simple, unanalysable pieces of grammatical information. Portmanteau tenses may combine tense, aspect, and modality, but these are the main categories. Suzanne Fleischman has proposed a radically new paradigm in which not only verbal forms but entire di...
| Subtitles: | SBL Annual Meeting 2020 Linguistics and Biblical Hebrew Seminar: Typological and Grammatical Categorization of Biblical Hebrew |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Unisa Press
2021
|
| In: |
Journal for semitics
Year: 2021, Volume: 30, Issue: 2, Pages: 1-17 |
| Standardized Subjects / Keyword chains: | B
Hebrew language
/ Morphology
/ Poetics
/ Verb
/ Umstellung
|
| RelBib Classification: | BH Judaism HB Old Testament |
| Further subjects: | B
Tense
B Discourse B Hebrew B Morphology B Aspect |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Historically, grammarians have viewed tenses as simple, unanalysable pieces of grammatical information. Portmanteau tenses may combine tense, aspect, and modality, but these are the main categories. Suzanne Fleischman has proposed a radically new paradigm in which not only verbal forms but entire discourse contexts are analysed as clusters of oppositional properties to which markedness values apply. It is in the interaction of the cluster of properties associated with a verbal form and those associated with its discourse context that we find the locus of verbal meaning. This interactive meaning is illustrated by examples from Psalm 18, demonstrating that morphological forms have the effect of either drawing non-prototypical situations closer to the prototype or drawing situations farther away from the prototype. | ||
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