Making Sense of the Psalms: Aesthetics and Embodied Experience in the Performance of Psalms
This article discusses the appropriation of psalms in contemporary Dutch and Flemish culture through their performances in ‘extra-ecclesial’ settings and the ways in which aesthetics and embodied experiences play a role in this appropriation. Drawing on postsecular theory, we describe how both relig...
| Authors: | ; ; |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2022
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| In: |
Religion and the arts
Year: 2022, Volume: 26, Issue: 1/2, Pages: 136-163 |
| Further subjects: | B
individual authenticity
B (choral) music B multisensory experience B Religious Heritage B collective ritual-musical appropriation B Postsecular |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a This article discusses the appropriation of psalms in contemporary Dutch and Flemish culture through their performances in ‘extra-ecclesial’ settings and the ways in which aesthetics and embodied experiences play a role in this appropriation. Drawing on postsecular theory, we describe how both religious and secular dimensions are manifest in the performance of psalms on the level of aesthetics. Our contribution is a detailed analysis of empirical research data regarding different sensory perceptions (bodily, auditory, visual, synaesthetic), which we have studied both in isolation and interrelation. We show that religious and secular dimensions become intertwined in the temporally and spatially organized stimulation of different senses. A balancing act takes place between synaesthetic immersion in a collective ritual, and a more distanced, unisensory involvement to maintain individual authenticity. In this balance, an immersive ritual experience can become fertile soil for interaction with the transcendent. We argue that a postsecular stance should entail the interrogation and contextualization of immanent/transcendent dichotomies. | ||
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