Image and Inscription: Sonification as an Interpretive Methodology in Transmedial Biblical Study
This article explores the transformation of Scripture, through practice-led research, within the framework of biblical studies and hermeneutics, biblical painting, landscape studies, music, and film adaptations and scores portraying the story of Moses and the Israelites. It discusses a sound composi...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Deutsche Bibelgesellschaft
2022
|
In: |
Die Bibel in der Kunst
Year: 2022, Volume: 6, Pages: 1-16 |
Standardized Subjects / Keyword chains: | B
Bible. Exodus 19-34
/ Bible. Exodus 20,4
/ Oratorium
/ Transformation
/ Musik
/ Film
/ Painting
/ Landscape
/ Software
B Software / Bible. Exodus 19-34 / Bible. Exodus 20,4 / Oratorium / Transformation / Hermeneutics / Musik / Painting / Landscape |
RelBib Classification: | BH Judaism CA Christianity |
Online Access: |
Volltext (kostenfrei) |
MARC
LEADER | 00000caa a2200000 4500 | ||
---|---|---|---|
001 | 1799845893 | ||
003 | DE-627 | ||
005 | 20231002145329.0 | ||
007 | cr uuu---uuuuu | ||
008 | 220420s2022 xx |||||o 00| ||eng c | ||
035 | |a (DE-627)1799845893 | ||
035 | |a (DE-599)KXP1799845893 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 1 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)133781615 |0 (DE-627)691810095 |0 (DE-576)300097913 |4 aut |a Harvey, John |d 1959- | |
109 | |a Harvey, John 1959- | ||
245 | 1 | 0 | |a Image and Inscription |b Sonification as an Interpretive Methodology in Transmedial Biblical Study |c John Harvey |
264 | 1 | |c 2022 | |
300 | |b Illustrationen | ||
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a This article explores the transformation of Scripture, through practice-led research, within the framework of biblical studies and hermeneutics, biblical painting, landscape studies, music, and film adaptations and scores portraying the story of Moses and the Israelites. It discusses a sound composition by the author entitled Image and Inscription (2016). This is a sonic oratorio based upon Exod 19:1–34:45, and part of The Bible in Translation / Y Beibl Mewn Cyfieithiad album. The narrative relates the events surrounding the delivery of the Decalogue, principally. Initially, they sounded out as an ephemeral speech act, prior to becoming an inscribed text. Image and Inscription represents a suite of acoustic landscapes that summons the terrain, cataclysmic phenomena, loud noises, music, ritual, and figures featured in the narrative. The central text (or libretto) on which the artwork is based derives from the principal clause of the Second Commandment, forbidding graven images (Exod 20:4). Here, the clause – taken from the Welsh Bible (1588) and Authorized King James Version (1611) – is sonified in three ways: 1. Mechanically engraved on a metal matrix (the term ‘graven’ [Hebrew: pæsæl] means ‘to engrave’); the sound of the process was stretched, digitally, and modified through synthesizer filters in order to generate tonal characteristics apposite to the mood of the text’s context. 2. Recorded speech. The text, spoken in Welsh and English, was engraved on two 33-rpm vinyl records, and manipulated on record player decks. 3. Pictorial engravings depicting Moses on Mount Sinai – derived from 19th century Welsh and English pulpit bibles – were converted into a data-stream capable of being processed on sound software. In returning one of the Ten Commandments to the condition of sound (noise and speech), the composition reverses the process by which it first came into being, and evokes the acoustic character of the context of the Decalogue’s original reception. | ||
601 | |a Interpretation | ||
601 | |a Methodologie | ||
652 | |a BH:CA | ||
689 | 0 | 0 | |d u |0 (DE-588)7758925-7 |0 (DE-627)702950130 |0 (DE-576)350441073 |a Bibel |2 gnd |p Exodus |n 19-34 |
689 | 0 | 1 | |d u |0 (DE-588)1069764957 |0 (DE-627)823156672 |0 (DE-576)429449682 |a Bibel |2 gnd |p Exodus |n 20,4 |
689 | 0 | 2 | |d s |0 (DE-588)4129085-9 |0 (DE-627)105712469 |0 (DE-576)209607602 |2 gnd |a Oratorium |
689 | 0 | 3 | |d s |0 (DE-588)4451062-7 |0 (DE-627)227152557 |0 (DE-576)21257325X |2 gnd |a Transformation |
689 | 0 | 4 | |d s |0 (DE-588)4040802-4 |0 (DE-627)104137754 |0 (DE-576)209042346 |2 gnd |a Musik |
689 | 0 | 5 | |d s |0 (DE-588)4017102-4 |0 (DE-627)104559683 |0 (DE-576)208918531 |2 gnd |a Film |
689 | 0 | 6 | |d s |0 (DE-588)4037220-0 |0 (DE-627)10623871X |0 (DE-576)209022892 |2 gnd |a Malerei |
689 | 0 | 7 | |d s |0 (DE-588)4034343-1 |0 (DE-627)106253247 |0 (DE-576)209006366 |2 gnd |a Landschaft |
689 | 0 | 8 | |d s |0 (DE-588)4055382-6 |0 (DE-627)106158368 |0 (DE-576)209113626 |2 gnd |a Software |
689 | 0 | |5 (DE-627) | |
689 | 1 | 0 | |d s |0 (DE-588)4055382-6 |0 (DE-627)106158368 |0 (DE-576)209113626 |2 gnd |a Software |
689 | 1 | 1 | |d u |0 (DE-588)7758925-7 |0 (DE-627)702950130 |0 (DE-576)350441073 |a Bibel |2 gnd |p Exodus |n 19-34 |
689 | 1 | 2 | |d u |0 (DE-588)1069764957 |0 (DE-627)823156672 |0 (DE-576)429449682 |a Bibel |2 gnd |p Exodus |n 20,4 |
689 | 1 | 3 | |d s |0 (DE-588)4129085-9 |0 (DE-627)105712469 |0 (DE-576)209607602 |2 gnd |a Oratorium |
689 | 1 | 4 | |d s |0 (DE-588)4451062-7 |0 (DE-627)227152557 |0 (DE-576)21257325X |2 gnd |a Transformation |
689 | 1 | 5 | |d s |0 (DE-588)4128972-9 |0 (DE-627)105713252 |0 (DE-576)209606614 |2 gnd |a Hermeneutik |
689 | 1 | 6 | |d s |0 (DE-588)4040802-4 |0 (DE-627)104137754 |0 (DE-576)209042346 |2 gnd |a Musik |
689 | 1 | 7 | |d s |0 (DE-588)4037220-0 |0 (DE-627)10623871X |0 (DE-576)209022892 |2 gnd |a Malerei |
689 | 1 | 8 | |d s |0 (DE-588)4034343-1 |0 (DE-627)106253247 |0 (DE-576)209006366 |2 gnd |a Landschaft |
689 | 1 | |5 (DE-627) | |
773 | 0 | 8 | |i Enthalten in |t Die Bibel in der Kunst |d Stuttgart : Deutsche Bibelgesellschaft, 2017 |g 6(2022), Seite 1-16 |h Online-Ressource |w (DE-627)1006289844 |w (DE-600)2912064-0 |w (DE-576)495604429 |7 nnns |
773 | 1 | 8 | |g volume:6 |g year:2022 |g pages:1-16 |
856 | 4 | 0 | |u https://cms.ibep-prod.com/app/uploads/sites/18/2023/08/BiKu_2022_06_Harvey_Image_and_Inscription.pdf |x Verlag |z kostenfrei |3 Volltext |
935 | |a BIIN | ||
951 | |a AR | ||
BIB | |a 1 | ||
BIR | |a 29019000_29034999,29020004_29020004 |b biblesearch | ||
ELC | |a 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 4119108996 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1799845893 | ||
LOK | |0 005 20220429173113 | ||
LOK | |0 008 220420||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135-1 |c DE-627 |d DE-Tue135-1 | ||
LOK | |0 852 |a DE-Tue135-1 | ||
LOK | |0 852 1 |m p |9 00 | ||
LOK | |0 852 2 |b www |9 00 | ||
LOK | |0 935 |a inzs | ||
LOK | |0 936ln |0 1442043741 |a CA | ||
LOK | |0 936ln |0 1442043520 |a BH | ||
LOK | |0 938 |k p | ||
OAS | |a 1 | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REF | |a Biblische Hermeneutik,Musikalische Hermeneutik | ||
REL | |a 1 | ||
STA | 0 | 0 | |a Film,Film,Motion pictures,Hermeneutics,Landscape,Landscape,Countryside,Country,Landscapes in literature,Musik,Music,Music in literature,Oratorium,Oratorio,House chapel,Painting,Panel painting,Painting in literature,Painting in art,Software,Data processing,Transformation,Transformation (motif),Transformation |
STB | 0 | 0 | |a Film,Film,Cinéma,Cinéma,Cinéma (motif),Cinéma,Herméneutique,Logiciel,Musique,Musique,Oratoire,Oratorio,Paysage,Paysage,Peinture,Transformation (motif),Transformation |
STC | 0 | 0 | |a Hermenéutica,Música,Música,Oratorio,Oratorio,Paisaje,Paisaje,Película,Película,Cine,Pintura,Software,Transformación |
STD | 0 | 0 | |a Ermeneutica,Film <motivo>,Film,Cinema,Cinema,Cinema (motivo),Cinema,Musica,Musica,Oratorio,Oratorio,Paesaggio,Paesaggio,Pittura,Software,Trasformazione,Realizzazione,Realizzazione |
STE | 0 | 0 | |a 景观,景观,景色,风景,景色,风景,电影,电影,祈祷室,神剧,小礼拜堂,绘画,图画,诠释学,解释学,转化,转换,软件,程序设计,音乐,音乐 |
STF | 0 | 0 | |a 景觀,景觀,景色,風景,景色,風景,祈禱室,神劇,小禮拜堂,繪畫,圖畫,詮釋學,解釋學,軟件,程序設計,轉化,轉換,電影,電影,音樂,音樂 |
STG | 0 | 0 | |a Filme,Filme,Hermenêutica,Música,Música,Oratório,Oratório,Paisagem,Paisagem,Pintura,Software,Transformação |
STH | 0 | 0 | |a Герменевтика,Живопись,Ландшафт (мотив),Ландшафт,Музыка (мотив),Музыка,Ораторий (архитектура),Оратория,Программное обеспечение,Трансформация,Фильм (мотив),Фильм |
STI | 0 | 0 | |a Ερμηνευτική,Ζωγραφική,Λογισμικό,Software,Μετατροπή,Υλοποίηση,Εφαρμογή,Μεταμόρφωση,Μετασχηματισμός,Μουσική (μοτίβο),Μουσική,Παρεκκλήσι,Ορατόριο,Τοπίο (μοτίβο),Τοπίο,Φιλμ<μοτίβο>,Κινηματογραφική ταινία,Ταινία (μοτίβο) |
SUB | |a BIB |a REL | ||
SYG | 0 | 0 | |a Hauskapelle,Oratorien , Umsetzung , Film,Fernsehfilm,Filmkunst,Kinofilm,Motion picture,Movie,Spielfilm,Kino <Film>,Spielfilm,Filmaufnahme,Filme,Kino,Filmaufnahme , Gemälde,Holztafelmalerei,Tafelbild,Tafelmalerei , Landschaftsdarstellung,Landschaften , Datenverarbeitung , Datenverarbeitung , Hauskapelle,Oratorien , Umsetzung , Auslegung , Gemälde,Holztafelmalerei,Tafelbild,Tafelmalerei , Landschaftsdarstellung,Landschaften |