Ney'in Tarihi Gelişimi ve Dini Musikimizdeki Yeri
In this article, the progress of the ney, predominant instrument in the religious music, throughout the known human history is shortly investigated. Although the past forms of the ney is not very similar to to day' s modern one, it is discussed that the ney was in use in past. Moreover, finding...
| Subtitles: | The Historical Progress of Ney and its Place in our Religious Music |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | Turkish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
DergiPark Akademik
2002
|
| In: |
Dinî araştırmalar
Year: 2002, Volume: 4, Issue: 12, Pages: 181-196 |
| Further subjects: | B
Hamza Dede
B religious music B universal soul of music B reed B Kutb-i Nayi Osman Dede |
| Online Access: |
Volltext (kostenfrei) |
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| 520 | |a In this article, the progress of the ney, predominant instrument in the religious music, throughout the known human history is shortly investigated. Although the past forms of the ney is not very similar to to day' s modern one, it is discussed that the ney was in use in past. Moreover, finding answer to the question of how ney has taken place in the religious music is also in the vicinity of the main interests of the article. After ney completed its histoarical progress with Kutb-i Nayi Osman Dede, it has taken place in the religious music with Mevlana and master of neyzen 's Hamza Dede. Apart from the fact that the ney is capable of giving all the sounds in nature, it is also most likely instrument to the human voice. Even though ney is made of reed and looks simple, it affects the human soul dramatically, even in the first hearing. Th.s is, of course, the proof of the fact that its effect to the universal soul | ||
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