Making Canon Practicable: Scaling the Tripiṭaka with a Medieval Chinese Buddhist Anthology

I argue that medieval Chinese Buddhists composed anthologies like A Grove of Pearls from the Garden of Dharma (seventh century CE) to make productive use of the Buddhist canon's immense scale. By tracing how anthologists produce extracts from the canon, I show how anthologies make canon practic...

Full description

Saved in:  
Bibliographic Details
Main Author: Hsu, Alexander O. ca. 20./21. Jh. (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: University of Chicago Press 2022
In: History of religions
Year: 2022, Volume: 61, Issue: 4, Pages: 313-361
Standardized Subjects / Keyword chains:B China / Buddhism / Anthology / Canon / History 600-700
RelBib Classification:AG Religious life; material religion
BL Buddhism
KBM Asia
TF Early Middle Ages
Online Access: Volltext (lizenzpflichtig)
Description
Summary:I argue that medieval Chinese Buddhists composed anthologies like A Grove of Pearls from the Garden of Dharma (seventh century CE) to make productive use of the Buddhist canon's immense scale. By tracing how anthologists produce extracts from the canon, I show how anthologies make canon practicable, drawing a distinction between practical and formal canons in the process. I do this by first charting how a collection of extracts (titled "Bathing Monks") in A Grove of Pearls economizes diverse canonical source materials to affirm both the canon's difficulty and relevance. Then I outline how the extracts of "Bathing Monks" were further economized in a single-page manuscript preserved in the Dunhuang cache (tenth century or earlier). My findings suggest that religious anthologies be regarded by scholars of religion not only as textual repositories but also as objects that encourage the religious to mine vast canons and whittle down holy text for use. In the case of medieval Chinese Buddhist anthologies, Buddhist ideas about dharma's fluidity and usefulness flourished in a burgeoning manuscript culture in medieval China.
ISSN:1545-6935
Contains:Enthalten in: History of religions
Persistent identifiers:DOI: 10.1086/719003