The Absence of God in J. M. Barrie's Post-War Writings: Mary Rose (1920) and Courage (1922)
J. M. Barrie (1860–1937) remains best known as the creator of Peter Pan (1904), celebrated as a whimsical eccentric who wrote sad stories about lost children. In his own day, however, he was respected as Scotland’s leading dramatist and a trenchant social critic. His writings from the years followin...
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| Format: | Electronic Article |
| Language: | English |
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| Published: |
MDPI
2022
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| In: |
Religions
Year: 2022, Volume: 13, Issue: 8 |
| Further subjects: | B
Peter Pan
B Bereavement B J. M. Barrie (1860–1937) B Drama B Scottish Christianity B Scottish literature B First World War B God |
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Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a J. M. Barrie (1860–1937) remains best known as the creator of Peter Pan (1904), celebrated as a whimsical eccentric who wrote sad stories about lost children. In his own day, however, he was respected as Scotland’s leading dramatist and a trenchant social critic. His writings from the years following the First World War are much darker in tone than his earlier work, as a series of intense personal bereavements shook his aesthetic embrace of Christian Humanism. God exists in Barrie’s post-war works as the presence of absence, a vacancy where the divine ought to be but where an inexplicable experience of bereavement hangs instead. This paper considers the nature of God’s absence in two of Barrie’s major post-war works, the drama Mary Rose (1920) and the lecture Courage (1922), through the interrelated images of the crucified body of Christ and the absent λόγος. | ||
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