Religion und Resonanz: Die Matthäus-Passion in den Niederlanden
This article examines the religious functions of the Dutch performance practice of Johann Sebastian Bach’s St. Matthew Passion. It introduces the phenomenon itself, points out its religious and ritual significance in the post secular Netherlands, and interprets the passion play with Hartmut Rosa’s s...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2022
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| In: |
Zeitschrift für Religions- und Geistesgeschichte
Year: 2022, Volume: 74, Issue: 3, Pages: 197-212 |
| Standardized Subjects / Keyword chains: | B
Netherlands
/ Matthäus-Passion (1773)
/ Performance of
/ Reception
/ Social consensus
|
| RelBib Classification: | CE Christian art KBD Benelux countries RD Hymnology TK Recent history ZB Sociology ZG Media studies; Digital media; Communication studies |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a This article examines the religious functions of the Dutch performance practice of Johann Sebastian Bach’s St. Matthew Passion. It introduces the phenomenon itself, points out its religious and ritual significance in the post secular Netherlands, and interprets the passion play with Hartmut Rosa’s social theory. A conclusion about resonance as the common third between religious and aesthetic experiences rounds off the study. | ||
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