A Posthuman Dharma: Enthiran 2.0
S. Shankar’s 2018 Tamil language science fiction film 2.0, the stand-alone sequel to his 2010 blockbuster Enthiran, presents a bleak vision of a near-present time when obsession with technology has led to deteriorating human relationships as well as destruction of the natural world. The film articul...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2022
|
| In: |
Religions
Year: 2022, Volume: 13, Issue: 10 |
| Further subjects: | B
Indian cinema
B Tamil cinema B Enthiran B Hinduism B Posthumanism B Robots |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
| LEADER | 00000caa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1817312375 | ||
| 003 | DE-627 | ||
| 005 | 20220924142745.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 220923s2022 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.3390/rel13100883 |2 doi | |
| 035 | |a (DE-627)1817312375 | ||
| 035 | |a (DE-599)KXP1817312375 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)1217490361 |0 (DE-627)1730492002 |4 aut |a Cohen, Signe | |
| 109 | |a Cohen, Signe |a Cohen, Signe M. | ||
| 245 | 1 | 2 | |a A Posthuman Dharma: Enthiran 2.0 |
| 264 | 1 | |c 2022 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a S. Shankar’s 2018 Tamil language science fiction film 2.0, the stand-alone sequel to his 2010 blockbuster Enthiran, presents a bleak vision of a near-present time when obsession with technology has led to deteriorating human relationships as well as destruction of the natural world. The film articulates a posthuman dharma founded on the understanding that humans have an ethical obligation towards all living things, not merely other humans. The film posits the individual as fractured and unstable but valorizes the interconnectivity of humans and non-humans, which is underscored by the film’s innovative evocation of the rasas of classical Indian aesthetics in the context of non-human agents. This essay argues that 2.0 presents a Hindu-inflected ecological posthumanism as the only viable alternative to a dystopian future. | ||
| 650 | 4 | |a Hinduism | |
| 650 | 4 | |a Posthumanism | |
| 650 | 4 | |a Indian cinema | |
| 650 | 4 | |a Robots | |
| 650 | 4 | |a Tamil cinema | |
| 650 | 4 | |a Enthiran | |
| 773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 13(2022), 10, Artikel-ID 883 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
| 773 | 1 | 8 | |g volume:13 |g year:2022 |g number:10 |g elocationid:883 |
| 856 | |u https://www.mdpi.com/2077-1444/13/10/883/pdf?version=1663825076 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
| 856 | 4 | 0 | |u https://doi.org/10.3390/rel13100883 |x Resolving-System |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/13/10/883 |x Verlag |z kostenfrei |3 Volltext |
| 935 | |a mteo | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 419101899X | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1817312375 | ||
| LOK | |0 005 20220923052533 | ||
| LOK | |0 008 220923||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135)IxTheo#2022-09-22#ABD0E0C872C35264D8D449CADCC182B18555718D | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a zota | ||
| OAS | |a 1 | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| SUB | |a REL | ||