Historiography and Negativity in the Paintings of Chaïm Soutine
Abstract This article addresses the theoretical dimensions of the consolidation of identity and formal expression in the historiography of the painter Chaïm Soutine (1893–1943), including the central place of his Jewish identity in it. It contends that the anormative historical archive related to So...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill
2018
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In: |
Images
Year: 2018, Volume: 11, Issue: 1, Pages: 117-140 |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |