Finding the Sacred in Unexpected Places: Religious Evanescence and Evocation
This address examines the complex processes whereby cultural understandings of the sacred and, consequently, religious identity are negotiated in the contemporary social world. Two key processes of negotiation are delineated, namely, religious evanescence and religious evocation. Religious evanescen...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage Publications
2014
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| In: |
Review of religious research
Year: 2014, Volume: 56, Issue: 3, Pages: 357-371 |
| Further subjects: | B
Secular
B Music B Religion B Sacred B Culture |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) |
| Parallel Edition: | Electronic
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| 520 | |a This address examines the complex processes whereby cultural understandings of the sacred and, consequently, religious identity are negotiated in the contemporary social world. Two key processes of negotiation are delineated, namely, religious evanescence and religious evocation. Religious evanescence reflects efforts to deemphasize or sever connections to the sacred. By contrast, religious evocation consists of activities that emphasize or enhance linkages to sacred things. Groups actively manage their relationship to the sacred, and thus their religious identities, by engaging in evanescent or evocative practices. Moreover, the rejection of sacred things (evanescence) and the affirmation of them (evocation) are not mutually exclusive processes. They can be enlisted strategically, selectively, and even in combination with one another to suit a wide variety of social contexts and normative expectations. Boundaries in relation to the sacred are, therefore, sites for contradictory and innovative social processes. The contested and fluid boundaries that define the genre of “Christian rock” serve to illustrate these processes. | ||
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