El concepto de gnosis (ginān) en la literatura del Ginān de los ismailíes del sur de Asia

The gināns are a corpus of South Asian Ismaili religious literature. Their subject matter ranges widely, and includes such topics as divine love, cosmology, meditation, ritual practice, eschatology and ethical behavior. The word ‘ginān’ is ultimately derived from the Sanskrit root ‘jñāna’ and is ety...

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Auteurs: Virani, Shafique N. (Auteur) ; Armenteros, Virginia Martos (Auteur)
Type de support: Électronique Article
Langue:Espagnol
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Publié: Univ. 2022
Dans: Ílu
Année: 2022, Volume: 27, Pages: 1-13
Sujets non-standardisés:B Ginān
B Asia del Sur
B Bhakti
B Imam
B Sinḏi
B Šiʿa
B Sufismo
B Ismailí
B Guŷarati
B Poesía
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Résumé:The gināns are a corpus of South Asian Ismaili religious literature. Their subject matter ranges widely, and includes such topics as divine love, cosmology, meditation, ritual practice, eschatology and ethical behavior. The word ‘ginān’ is ultimately derived from the Sanskrit root ‘jñāna’ and is etymologically related to the Greek word ‘γνῶσις’ or ‘gnôsis’, which has derivatives in many languages. Several scholars have noted the dual significance of the term ‘ginān’ among the Ismailis as referring both to their sacred literature as well as to gnosis. This comprehensive study explores the purport and use of the word ‘ginān’ in the ginān tradition itself. As most gināns are recited in particular melodies, this study of the ginān tradition is inspired by the organization of the traditional symphony. An extended composition in Western classical music, a symphony is often divided into four movements. Similarly, this study of the "Symphony of Gnosis" is composed of four sections, each exploring different aspects of how the ginān tradition defines itself.
ISSN:1988-3269
Contient:Enthalten in: Ílu
Persistent identifiers:DOI: 10.5209/ilur.83753