Art, Artefacts, and Alienation: Religious Materials as World Art (Arts Premiers)
How religious materials are presented as art in museums is so far little discussed from a Study of Religions viewpoint. I would like to enter this topic in asking if this kind of presentation can be called alienation or rather apotheosis, and reflecting on what Europe’s iconoclastic transformation-o...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Philipps-Universität
2021
|
In: |
Religious Materials
Year: 2021 |
Further subjects: | B
Classics
B Art market B Golablization B Globalization B Colonialism B Classical antiquity B Religion B Religion, Religionsphilosophie B Tervuren |
Online Access: |
Volltext (doi) Volltext (kostenfrei) |
MARC
LEADER | 00000naa a2200000 4500 | ||
---|---|---|---|
001 | 1826715274 | ||
003 | DE-627 | ||
005 | 20221209120433.0 | ||
007 | cr uuu---uuuuu | ||
008 | 221209s2021 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.17192/es2022.0010 |2 doi | |
035 | |a (DE-627)1826715274 | ||
035 | |a (DE-599)KXP1826715274 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)128517662 |0 (DE-627)374200793 |0 (DE-576)181249979 |4 aut |a Frateantonio, Christa |d 1960- | |
109 | |a Frateantonio, Christa 1960- | ||
245 | 1 | 0 | |a Art, Artefacts, and Alienation |b Religious Materials as World Art (Arts Premiers) |c Christa Frateantonio |
264 | 1 | |c 2021 | |
300 | |a 1 Video (17:44 Min.) | ||
336 | |a dreidimensionales bewegtes Bild |b tdm |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a How religious materials are presented as art in museums is so far little discussed from a Study of Religions viewpoint. I would like to enter this topic in asking if this kind of presentation can be called alienation or rather apotheosis, and reflecting on what Europe’s iconoclastic transformation-of-religious-things-history might have to do with it. Starting-point will be Belgium’s first world exhibition, the »Exposition Coloniale« in 1897. In its context a multitude of artefacts originating from the Kongo-area, at that time Belgium’s colony, were presented. Ritual masks, and so-called fetishes, were part of an exhibition in combination with modern artworks designed by famous Belgian artists of the time (art nouveau). The extensive exhibition included not only artefacts from the religious sphere of the Kongo-area but as well flora and fauna, such as ivory- and mahogany-works. All of this was placed in the for the purpose ad hoc new built Palais des Colonies, Brussels later Musée royal de l’Afrique Centrale de Tervuren. Different to ethnological collections established all around Europe from the 19th century onwards, presenting religious materials as part of different ›colonial‹ cultures which became subject of academic research, new-born or relabelled art, namely primary religious artefacts do not. Museums such as Tervuren, or Musée du Quai Branly in Paris, and a growing number of worldwide Museums presenting Global or World-Art rather conceal their religious origin than reflect upon it. But: the way these fetishes, masks, and further religious objects are presented is strikingly close to what Hans Belting and others have called creating an aura in a temple (= museum). And is in Europe no completely new phenomenon deriving only from colonial times, as is sometimes supposed. But it has as well its own roots in religious iconoclasms, and the resultant transformations of religious artefacts into art. Selected and representative examples of exhibition shall put up this assumption for discussion. | ||
650 | 4 | |a Golablization | |
650 | 4 | |a Globalisierung | |
650 | 4 | |a Kunstmarkt | |
650 | 4 | |a Religion, Religionsphilosophie | |
650 | 4 | |a Art market | |
650 | 4 | |a Antike | |
650 | 4 | |a Colonialism | |
650 | 4 | |a Tervuren | |
650 | 4 | |a Classics | |
650 | 4 | |a Kolonialismus | |
650 | 4 | |a Religion | |
773 | 0 | 8 | |i Enthalten in |a REDIM "Dynamiken Religiöser Dinge im Museum" |t Religious Materials |d Marburg : Philipps-Universität, 2021 |g (2021) |h 1 Online-Ressource, 10 Videos |w (DE-627)1826714634 |7 nnnm |
773 | 1 | 8 | |g year:2021 |
856 | 4 | 0 | |u https://archiv.ub.uni-marburg.de/es/2022/0010 |x Verlag |z kostenfrei |3 Volltext |
856 | |u https://doi.org/10.17192/es2022.0010 |x doi |3 Volltext | ||
951 | |a AR | ||
ELC | |a 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 4228721613 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1826715274 | ||
LOK | |0 005 20221209120433 | ||
LOK | |0 008 221209||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixau | ||
OAS | |a 1 | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
STA | 0 | 0 | |a Art market,Art,Classical antiquity,Classical antiquity,Antiquity,Civilization, Greco-Roman,Civilization, Classical, in art,Civilization, Greco-Roman, in literature,Civilization, Ancient, in literature,Colonialism,Colonialism,Globalization,Globalization,Internationalization,Globalization in art,Religion,Religion in literature,Religions,Religion |
STB | 0 | 0 | |a Antiquité,Antiquité,Colonisation,Colonisation,Colonialisme,Colonialisme,Colonialisme (idée politique),Colonialisme (motif),Colonialisme,Marché de l'art,Art,Mondialisation,Mondialisation,Religion,Religions,Religion |
STC | 0 | 0 | |a Antigüedad,Antigüedad,Colonialismo,Colonialismo,Globalización,Globalización,Mercado de arte,Obras de arte,Religión,Religión,Religión |
STD | 0 | 0 | |a Antichità classica,Antichità classica,Colonialismo,Colonialismo,Globalizzazione,Globalizzazione,Mercato dell'arte,Religione,Religione,Religione |
STE | 0 | 0 | |a 全球化,古典时代,古典时代,古典时期,古典时期,宗教,宗教,殖民主义,殖民主义 |
STF | 0 | 0 | |a 全球化,古典時代,古典時代,古典時期,古典時期,宗教,宗教,殖民主義,殖民主義 |
STG | 0 | 0 | |a Antiguidade,Antiguidade,Colonialismo,Colonialismo,Globalização,Globalização,Mercado de arte,Religião,Religião |
STH | 0 | 0 | |a Античность (мотив),Античность,Глобализация (мотив),Глобализация,Колониализм (мотив),Колониализм,Религия,Религия (мотив),Рынок искусства |
STI | 0 | 0 | |a Αγορά τέχνης,Αγορά έργων τέχνης,Αποικιοκρατία (μοτίβο),Αποικιοκρατία,Αρχαιότητα (μοτίβο),Αρχαιότητα,Θρησκεία,Θρησκεία (μοτίβο),Παγκοσμιοποίηση (μοτίβο),Παγκοσμιοποίηση |
SUB | |a REL | ||
SYE | 0 | 0 | |a Weltwirtschaft,Weltgesellschaft,Globalisation,Globalization , Klassisches Altertum , Kolonialbestrebungen,Kolonialpolitik,Kolonialisierung , Religion,Mystik,Mythologie |