Holst’s Savitri Libretto
This article focuses on the libretto (the words) of Gustav Holst’s one-act opera Savitri (opus 25, 1908), which is based on a story told in the Mahabharata. The article introduces Holst’s Savitri project biographically in the context of his love of India. It explores the question of what sources Hol...
| Publié dans: | Religions of South Asia |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Equinox
2022
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| Dans: |
Religions of South Asia
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| Sujets non-standardisés: | B
Satyavān
B Orpheus B Māyā B Holst B Opera B Sāvitrī |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | This article focuses on the libretto (the words) of Gustav Holst’s one-act opera Savitri (opus 25, 1908), which is based on a story told in the Mahabharata. The article introduces Holst’s Savitri project biographically in the context of his love of India. It explores the question of what sources Holst used in preparing his libretto. It discusses Holst’s main departures from his source text(s): his removal of the framing story, his featuring of the character Satyavan, and his introduction of the topic of maya. Historical reasons for Holst’s interest in maya are briefly explored. Finally, the article places Holst’s Savitri in the context of operatic history, reading it as a version of the story of Orpheus and Eurydice. |
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| ISSN: | 1751-2697 |
| Contient: | Enthalten in: Religions of South Asia
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| Persistent identifiers: | DOI: 10.1558/rosa.24408 |