Staging the sacred: performance in late ancient liturgical poetry
"In this volume, Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity (ca. 3rd-4th c. CE) is examined not only from within the context of religious traditions of biblical interpretation and conventions of prayer but also through the lenses of performance, entertainment, and sp...
| Main Author: | |
|---|---|
| Format: | Electronic/Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
New York
Oxford University Press
2023
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| In: | Year: 2023 |
| Further subjects: | B
Religious literature
B Religious Poetry History and criticism B Theater B History 30-500 B Theater History To 500 B Judaism B Catholic Church Hymns History and criticism B Catholicism B Christianity B Religious poetry |
| Online Access: |
Volltext (doi) |
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| 100 | 1 | |e VerfasserIn |0 (DE-588)1021954519 |0 (DE-627)715843176 |0 (DE-576)364381795 |4 aut |a Lieber, Laura Suzanne |d 1972- | |
| 109 | |a Lieber, Laura Suzanne 1972- |a Lieber, Laura S. 1972- |a Lieber, Laura 1972- | ||
| 245 | 1 | 0 | |a Staging the sacred |b performance in late ancient liturgical poetry |c Laura S. Lieber |
| 263 | |a 2304 | ||
| 264 | 1 | |a New York |b Oxford University Press |c 2023 | |
| 300 | |a xiii, 407 Seiten | ||
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a "In this volume, Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity (ca. 3rd-4th c. CE) is examined not only from within the context of religious traditions of biblical interpretation and conventions of prayer but also through the lenses of performance, entertainment, and spectacle. Recognizing that liturgical poets were as invested engaging their listeners as orators and actors were, this study analyses hymnody as a performative genre akin to oratory and theatre, the two primary modes of public performance from the wider societal context. Attention to liturgical poetry's "theatricality" draws our attention to a range of subjects, from how biblical stories were adapted to the liturgical stage, much in the way that the classical works of Greco-Roman antiquity were themselves popularized in this Late Antique period; to the adaptation of physical techniques and material structures to augment the ability of performers to engage their audiences. Specific techniques associated with both oratory and acting in antiquity will offer concrete means for elucidating the affinities of liturgical presentations and other modes of performance: indications of direct address, for example, and apostrophe, as well as the creation of character through speech (ethopoeia); and appeals to the audience's senses, including vivid descriptions (ekphrasis), a technique especially popular in antiquity. A serious consideration of performance also demands that we make the difficult leap to imagining the world beyond the page. While Late Antique hymnody has come down to the present primarily in textual form, the written word constitutes something quite remote from the actual experience these scripts reflect. We will thus attempt to consider more speculative but recognizably essential elements of these works' reception, including ways in which liturgical poetry could have borrowed from the gestures and body language of oratory, mime, and pantomime, and how poets may have used the physical spaces of performance and accelerated changes visible in the archaeological record"-- | ||
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| 610 | 1 | 0 | |a Catholic Church |x Hymns |x History and criticism |2 DLC |
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| 650 | 0 | |a Religious Poetry |x History and criticism |2 DLC | |
| 650 | 0 | |a Theater |x History |y To 500 |2 DLC | |
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| STA | 0 | 0 | |a Catholicism,Catholicism,Christianity,Christian world view,World view,Christian ideology,Judaism,Judaism,Judaism in literature,Religious literature,Religious poetry,Theater,Theater,Theatre,Theater life,Theaters,Theaters in literature |
| STB | 0 | 0 | |a Catholicisme,Catholicisme,Christianisme,Christianisme,Judaïsme,Judaïsme,Littérature religieuse,Poésie religieuse,Théâtre,Théâtre,Théâtres |
| STC | 0 | 0 | |a Catolicismo,Catolicismo,Cristianismo,Cristianismo,Cristiandad,Cristiandad,Cristiandad (Motivo),Cristiandad,Judaísmo,Judaísmo,Literatura religiosa,Poesía religiosa,Poesías religiosas,Teatro,Teatro,Teatros |
| STD | 0 | 0 | |a Cattolicesimo,Cattolicesimo,Cristianesimo,Cristianesimo,Ebraismo,Ebraismo,Letteratura religiosa,Poesia religiosa,Teatro,Teatro,Teatri |
| STE | 0 | 0 | |a 剧场,剧院,基督教,基督教,基督教世界观,天主教,天主教,罗马公教,罗马公教,宗教文学,宗教诗,犹太教,犹太教 |
| STF | 0 | 0 | |a 劇場,劇院,基督教,基督教,基督教世界觀,天主教,天主教,羅馬公教,羅馬公教,宗教文學,宗教詩,猶太教,猶太教 |
| STG | 0 | 0 | |a Catolicismo,Catolicismo,Cristianismo,Cristianismo,Cristandade,Cristandade,Cristandade (Motivo),Cristandade,Judaísmo,Judaísmo,Literatura religiosa,Poesia religiosa,Teatro,Teatro |
| STH | 0 | 0 | |a Иудаизм (мотив),Иудаизм,Католицизм (мотив),Католицизм,Религиозная литература,Религиозная поэзия,Театр (мотив),Театр,Христианство (мотив),Христианство |
| STI | 0 | 0 | |a Θέατρο (μοτίβο),Θέατρο,Θρησκευτική λογοτεχνία,Θρησκευτική ποίηση,Ιουδαϊσμός (μοτίβο),Ιουδαϊσμός,Καθολικισμός (μοτίβο),Καθολικισμός,Χριστιανισμός (μοτίβο),Χριστιανισμός |
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| SYE | 0 | 0 | |a Theaterleben,Theaterkultur , Christianity,Christliche Mission,Missionierung,Christenheit,Christianitas,Christliche Religion,Christliche Weltanschauung , Judaism,Judaismus,Jüdische Religion,Zionism,Zionismus,Jüdische Religion,Judaismus,Jüdische Religion,Judaismus , Katholiken , Religiöse Dichtung , Theaterleben,Theaterkultur |