Performing atheist selves in digital publics: U.S. women and non-religious identity online
"This book considers how the non-religious self is performed publicly online, and how digital culture and technology shapes this process. Building on a YouTube case study with women vloggers, it presents unique empirical data on non-organized atheism in the United States. Lundmark suggests that...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
London New York
Routledge
2023
|
| In: | Year: 2023 |
| Series/Journal: | Routledge studies in religion and digital culture
|
| Standardized Subjects / Keyword chains: | B
USA
/ Identity
/ Atheism
/ Woman
/ Online media
|
| RelBib Classification: | AB Philosophy of religion; criticism of religion; atheism AD Sociology of religion; religious policy KBQ North America ZG Media studies; Digital media; Communication studies |
| Further subjects: | B
Online identities (United States)
B Vloggers (United States) B Atheists (United States) B Atheism United States |
| Online Access: |
Table of Contents Blurb |
| Parallel Edition: | Electronic
|
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| 245 | 1 | 0 | |a Performing atheist selves in digital publics |b U.S. women and non-religious identity online |c Evelina Lundmark |
| 264 | 1 | |a London |a New York |b Routledge |c 2023 | |
| 300 | |a xi, 178 Seiten | ||
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| 490 | 0 | |a Routledge studies in religion and digital culture | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a "This book considers how the non-religious self is performed publicly online, and how digital culture and technology shapes this process. Building on a YouTube case study with women vloggers, it presents unique empirical data on non-organized atheism in the United States. Lundmark suggests that the atheist self as performed online exists in tension between a perception of atheism as sinful and amoral in relation to hegemonical Christianity in the U.S., and the hyperrational, male-centered discourse that has characterized the atheist movement. She argues that women atheist vloggers co-effect third spaces of emotive resonance that enable a precarious counterpublicness of performing atheist visibility. The volume offers a valuable contribution to the discussion of how the public, the private, and areas in-between are understood within digital religion, and opens up new space for engaging with the increased visibility of atheist identity in a mediatized society"-- | ||
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