Music and temple ritual in South India: performing for Śiva
Introduction -- Temple Ritual and Image Worship -- Musicians, from Past to Present -- The Repertoire -- Sound, Space and Divine Images -- Musical Time vs. Ritual Time -- Music, Emotion and Devotion -- Conclusion.
| Main Author: | |
|---|---|
| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
New York London
Routledge
2023
|
| In: | Year: 2023 |
| Series/Journal: | SOAS studies in music
|
| Standardized Subjects / Keyword chains: | B
India (Süd)
/ Carnatic music
B India (Süd) / Śaivism / Temple / Musik / Ritual / Worship of God |
| Further subjects: | B
Periya mēḷam
|
| Online Access: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
|
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| 520 | |a Introduction -- Temple Ritual and Image Worship -- Musicians, from Past to Present -- The Repertoire -- Sound, Space and Divine Images -- Musical Time vs. Ritual Time -- Music, Emotion and Devotion -- Conclusion. | ||
| 520 | |a "Music and Temple Ritual in South India: Performing for Śiva explores the musical practices of the periya mēḷam, a South Indian instrumental temple ensemble of professional musicians. It investigates the role, function and meaning of these practices in a complex, highly formalised ritual of high-caste (Brahmanical) Tamil Hindu temples dedicated to the Pan-Indian god Śiva - an important patron of music since at least the 10th century. The main themes are the meaning of music in Hindu culture and South Indian present-day, and its temple instrumental music and performance, in relation to Hindu ritual, devotion and the worship of divine images, as well as the sacred function of sound, music and performance in Hindu temple ritual practice. The book is much more than a rich and vivid ethnographic description of a local tradition. It also develops a comprehensive and original analytical model, in which music and performance are understood as both situated and creative practices and where the fluid relationship between humans and non-humans, in this case divine beings, is truly taken into consideration"-- | ||
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| STB | 0 | 0 | |a Adoration de Dieu,Musique carnatique,Musique,Musique,Rituel,Rituel,Shivaïsme,Temple,Temple |
| STC | 0 | 0 | |a Adoración de Dios,Música carnática,Música,Música,Ritual,Ritual,Shivaísmo,Templo,Templo |
| STD | 0 | 0 | |a Adorazione di Dio,Musica carnatica,Musica,Musica,Rituale,Rituale,Shivaismo,Tempio,Tempio |
| STE | 0 | 0 | |a 仪式,对神的崇拜,敬拜上帝,对上帝的崇拜,庙宇,寺院,神殿,湿婆教,希瓦派,湿婆派,音乐,音乐 |
| STF | 0 | 0 | |a 儀式,卡納提克音樂,對神的崇拜,敬拜上帝,對上帝的崇拜,廟宇,寺院,神殿,濕婆教,希瓦派,濕婆派,音樂,音樂 |
| STG | 0 | 0 | |a Adoração de Deus,Música carnática,Música,Música,Ritual,Ritual,Shivaísmo,Templo,Templo |
| STH | 0 | 0 | |a Карнатская музыка,Музыка (мотив),Музыка,Поклонение Богу,Ритуал (мотив),Ритуал,Храм (мотив),Храм,Шиваизм |
| STI | 0 | 0 | |a Καρνατική μουσική,Λατρεία του Θεού,Μουσική (μοτίβο),Μουσική,Ναός (μοτίβο),Ναός,Σαϊβισμός,Σιβαϊσμός,Τελετουργία (μοτίβο),Τελετουργία |
| SUB | |a REL | ||
| SYE | 0 | 0 | |a Periya meḻam |
| SYG | 0 | 0 | |a Südindien,Südliches Indien , Südindien,Südliches Indien , Śivaismus,Saivismus,Shaivismus,Shivaismus , Papyrus des Imuthes,Le Papyrus d'Imouthès, fils de Psintaês , Ritus <Soziologie>,Rituale,Ritus,Rituale |