Entertaining the idea: Shakespeare, philosophy, and performance

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To entertain an idea is to take it in, pay attention to it, give it breathing room, dwell with it for a time. The practice of entertaining ideas suggests rumination and meditation, inviting us to think of philosophy as a form of hospitality and a kind of mental theatre. In this collection, organized...

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Bibliographic Details
Contributors: Gallagher, Lowell 1953- (Editor) ; Kearney, James (Editor) ; Lupton, Julia Reinhard 1963- (Editor)
Format: Electronic Book
Language:English
Check availability: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: [Erscheinungsort nicht ermittelbar] University of Toronto Press 2020
In:Year: 2020
Further subjects:B Agriculture & farming
B Literary studies: plays and playwrights
B Collection of essays
B Biography, Literature and Literary studies
B Literary studies: plays & playwrights
B Technology, Engineering, Agriculture, Industrial processes
B Performance Arts
B Conference program 2016-2017 (Los Angeles, Calif)
B Philosophy Motif
B Literature: history and criticism
B Shakespeare, William (1564-1616)
B Agriculture and farming
Online Access: Volltext (OAPEN Library꞉ description of the publication)
Volltext (OAPEN Library꞉ download the publication)
Volltext (kostenfrei)
Parallel Edition:Non-electronic

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520 |a To entertain an idea is to take it in, pay attention to it, give it breathing room, dwell with it for a time. The practice of entertaining ideas suggests rumination and meditation, inviting us to think of philosophy as a form of hospitality and a kind of mental theatre. In this collection, organized around key words shared by philosophy and performance, the editors suggest that Shakespeare’s plays supply readers, listeners, viewers, and performers with equipment for living.In plays ranging from A Midsummer Night’s Dream to King Lear and The Winter’s Tale, Shakespeare invites readers and audiences to be more responsive to the texture and meaning of daily encounters, whether in the intimacies of love, the demands of social and political life, or moments of ethical decision. Entertaining the Idea features established and emerging scholars, addressing key words such as role play, acknowledgment, judgment, and entertainment as well as curse and care. The volume also includes longer essays on Shakespeare, Kant, Husserl, and Hegel as well as an afterword by theatre critic Charles McNulty on the philosophy and performance history of King Lear 
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