Karnatic Music and Christianity: An Ethnomusicological Approach Paul
Ethnomusicological approach towards Christian music in India has revealed that Christian music in India had a strong interaction with the traditional classical music of South India, i.e., Karnatic music. Protestant Churches in India had tried to adapt native music tradition into their music even bef...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Dharmaram College
2015
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| Dans: |
Journal of Dharma
Année: 2015, Volume: 40, Numéro: 1, Pages: 77-94 |
| Sujets non-standardisés: | B
Church Music
B Inculturation B Rāga (théorie musicale) B Ethnomusicology B Karnatic music B Tāļās B Christianity B Musical identity |
| Accès en ligne: |
Volltext (kostenfrei) |
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| 520 | |a Ethnomusicological approach towards Christian music in India has revealed that Christian music in India had a strong interaction with the traditional classical music of South India, i.e., Karnatic music. Protestant Churches in India had tried to adapt native music tradition into their music even before Second Vatican Council whereas Catholic Church in India made serious attempts for inculturation only after the Council. The present paper focuses on the ethnomusicological perspective of the Christian music in India and the multicultural, multireligious interaction of Karnatic music with respect to its adaptability and universality. It also deals with the structural and melodic analysis of the compositions of the leading Christian Karnatic composers of the past and the present, and the analysis of Karnatic musical forms and musical genres available in the Christian musical subcultures of South India. | ||
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