Salvaging the Plagiarist: Digambara Jain Text Production in Early Modernity
In 1991 Padmanabh S. Jaini published an article highlighting the similarity between two early modern Sanskrit Pāṇḍavapurāṇas, the first by the Mūlasaṅgha author Śubhacandra and the second, composed about fifty years later, by the Kāṣṭhāsaṅgha author Śrībhūṣaṇa. Jaini demonstrates that Śrībhūṣaṇa mus...
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| Format: | Electronic Article |
| Language: | English |
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[publisher not identified]
2020
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| In: |
International Journal of Jaina Studies
Year: 2020, Volume: 16, Issue: 3, Pages: 1-23 |
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Volltext (kostenfrei) |
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| 520 | |a In 1991 Padmanabh S. Jaini published an article highlighting the similarity between two early modern Sanskrit Pāṇḍavapurāṇas, the first by the Mūlasaṅgha author Śubhacandra and the second, composed about fifty years later, by the Kāṣṭhāsaṅgha author Śrībhūṣaṇa. Jaini demonstrates that Śrībhūṣaṇa must have copied his sectarian rival’s earlier work and subsequently labels Śrībhūṣaṇa a plagiarist. While not contesting the fact that Śrībhūṣaṇa copied Śubhacandra, the goal of this article is to reconsider the specific label of plagiarist levelled against the Kāṣṭhāsaṅgha author. By examining the history of both premodern South Asian and contemporary western definitions of plagiarism and by introducing another example of Digambara Jain textual copying during the early modern period, the article argues that labelling Śrībhūṣaṇa a plagiarist inappropriately reads back modern ideas of personal intellectual property onto a premodern literary landscape in which textual copying was, in actuality, a valid form of intersectarian argumentation. | ||
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