Bob Flanagan's Crip Catholicism, Transgression, and Form in Lived Religion - El Catolocismo Crip, la Transgresión y la Forma de Bob Flanagan en la Religión Vivida
[This essay considers the role of transgression in the work of performance artist Bob Flanagan and his partner Sheree Rose, asking what religious forms give it shape, make it legible, or allow it to resonate. It presents two claims. First, Catholic forms offered both a context against which—and a st...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
Indiana University Press
2020
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| In: |
American religion
Year: 2020, Volume: 1, Issue: 2, Pages: 1-26 |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 245 | 1 | 0 | |a Bob Flanagan's Crip Catholicism, Transgression, and Form in Lived Religion - El Catolocismo Crip, la Transgresión y la Forma de Bob Flanagan en la Religión Vivida |
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| 520 | |a [This essay considers the role of transgression in the work of performance artist Bob Flanagan and his partner Sheree Rose, asking what religious forms give it shape, make it legible, or allow it to resonate. It presents two claims. First, Catholic forms offered both a context against which—and a style through which—Flanagan and Rose transgressed religious and ableist norms, forming what I call Flanagan's "crip Catholicism." Second, this example of performance work by Flanagan and Rose suggests the purchase of analyzing "forms" in studies of religion and secularism and of lived religion more generally, asking how attention to Catholic, religious, or other kinds of form might expand our analytic resources, especially those drawn from ethnographic and historical inquiry. This essay proposes that attention to forms may help loosen methodological investments away from the seductive lure of interiority, belief, or agency toward other ways for understanding the shapes religion takes and the work that it does. Este ensayo toma en cuenta el papel de la transgresión en la obra del artista de performance Bob Flanagan y su compañera Sheree Rose, buscando explicar qué formas religiosas le dan cuerpo, hacen que sea legible o le permiten resonar. Se postulan dos afirmaciones. En primer lugar, las formas católicas ofrecieron tanto un contexto contra el cual—como un estilo a través del cual— Flanagan y Rose transgredieron las normas religiosas y las de discrimen contra los descapacitados, dando lugar a lo que denomino "el catolicismo crip." En segundo lugar, el ejemplo de la performance de Flanagan y Rose implica los beneficios del análisis de "formas" en estudios de la religión y del secularismo y, más generalmente, de la religión vivida, buscando explicar cómo la atención dada a las formas católicas, religiosas, entre otras, puede ampliar nuestros recursos analíticos, especialmente aquellos extraídos de la indagación etnográfica e histórica. Este ensayo postula que la atención a las formas puede ayudar a librar la inversión metodológica del encanto seductivo de la interioridad, la creencia o la agencia hacia otras maneras de entender el cuerpo que toma la religión y el trabajo que ésta hace.] | ||
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