Tibetan Singing Bowls - Los Cuencos Cantores Tibetanos
[Tibetan Singing Bowls exemplify key features of American religion: creativity, commodification, and conflict. Histories published in popular and scholarly outlets portray these objects as ancient Buddhist artifacts, beloved both because they originated in a place imagined as quintessentially spirit...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Indiana University Press
2020
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| In: |
American religion
Year: 2020, Volume: 1, Issue: 2, Pages: 52-73 |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) |
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| 520 | |a [Tibetan Singing Bowls exemplify key features of American religion: creativity, commodification, and conflict. Histories published in popular and scholarly outlets portray these objects as ancient Buddhist artifacts, beloved both because they originated in a place imagined as quintessentially spiritual and because their benefits have been confirmed by modern science. Yet, few if any such objects are ancient or Tibetan. Beginning in the 1970s, Asian and American sellers and American buyers created the concept of "Tibetan Singing Bowls" and invested material objects so-denoted with spiritual-scientific meanings that made them into valuable commodities. As newly invented symbols of ancient Tibetan Buddhism, these objects generated interest and controversy— particularly when used to teach mindfulness meditation in public schools. As cultural conflicts played out in the 2010s, the "secularization" of mindfulness featured the removal of "religious" objects that were only recently conceptualized as either spiritual or religious. This cultural history illustrates how modern interest in "spirituality" and "science" overlap, while exhibiting the malleability of concepts of "religion" and "secularity." El cuenco cantor tibetano ejemplifica características principales de la religión estadounidense: la creatividad, la conmodificación y el conflicto. Las historias que han sido publicadas en medios populares y académicos representan estos objetos como antiguos artefactos budistas, los cuales han sido muy queridos porque se originan de lugares prototípicamente imaginados de manera espiritual y también porque sus beneficios han sido confirmados por la ciencia moderna. Aún así, pocos de los objetos de este tipo, si existe alguno, son antiguos o tibetanos. A partir de los años setenta, vendedores asiáticos y estadounidenses, y compradores estadounidenses crearon el concepto de "cuencos tibetanos" e invirtieron objetos materiales tan denotados con significados científico-espirituales que los convirtieron en productos de valor. Como nuevos símbolos inventados del antiguo budismo tibetano, estos objetos generaron interés y controversia—particularmente cuando se ha utilizado para enseñar la meditación de conciencia plena en las escuelas públicas. Al desarrollarse conflictos culturales durante la década del 2010, la "secularización" de la conciencia dio pie a la eliminación de objetos "religiosos" que solo recientemente se habían conceptualizado como una de dos, o espiritual o religioso. Esa historia cultural ilustra cómo el interés moderno sobre la "espiritualidad" y la "ciencia" solapan, mientras que exhiben la maleabilidad de conceptos tales como el de "religión" y el de "secularidad".] | ||
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