Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina
In his carmina, Venantius Fortunatus (sixth century) has left us three figurate poems that depict the cross as an image, while its verses describe the cross textually. He is thus an author who completely detaches figurate poems from the pagan tradition and inscribes them in the Christian one. The ai...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Ruhr-Universität Bochum
2023
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| In: |
Entangled Religions
Year: 2023, Volume: 14, Issue: 5 |
| Standardized Subjects / Keyword chains: | B
Venantius, Fortunatus 530-600, Carmina
/ Visual poetry
/ Figurative language
/ Cross
/ Christian art
/ Iconography
/ Ekphrasis
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| RelBib Classification: | CE Christian art KAD Church history 500-900; early Middle Ages |
| Further subjects: | B
Gaul
B Venantius Fortunatus B iconotexts B Cross B Images B Poems B Christianity B Late Antiquity |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a In his carmina, Venantius Fortunatus (sixth century) has left us three figurate poems that depict the cross as an image, while its verses describe the cross textually. He is thus an author who completely detaches figurate poems from the pagan tradition and inscribes them in the Christian one. The aim of this essay is to examine these poems from a pictorialist perspective. To this end, after a brief presentation of all three poems, they are considered, firstly, as ekphraseis that draw on a three-step representation: The figure depicts a cross that points to transcendence, the verses describe it, and they have the potential to evoke an additional mental image in the reader. Secondly, I examine what image and text, and thus the figurate poems as intermedial products, gain through the respective other medium. This results, thirdly, in an analysis of the figurate poems within the categories of iconism, aniconism, and anti-iconism. | ||
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| STB | 0 | 0 | |a Art chrétien,Croix,Ekphrasis,Iconographie,Langage imagé,Langage figuratif,Langage figuratif,Poésie visuelle |
| STC | 0 | 0 | |a Arte sacra cristiana,Simbolismo cristiano,Cruz,Ekphrasis,Iconografía,Lenguaje de imágenes,Poesía visual,Poesías visuales |
| STD | 0 | 0 | |a Arte cristiana,Croce,Ecfrasi,Iconografia,Linguaggio figurato,Poesia visiva,Poesia visuale,Poesia visuale |
| STE | 0 | 0 | |a 十字,圣像学,基督教艺术,形象化语言,造型描述 |
| STF | 0 | 0 | |a 十字,基督教藝術,形象化語言,聖像學,視覺詩,造型描述 |
| STG | 0 | 0 | |a Arte sacra cristã,Cruz,Ekphrasis,Iconografia,Linguagem de imagens,Poesia visual |
| STH | 0 | 0 | |a Визуальная поэзия,Иконография,Крест,Образная речь,Христианское искусство,Экфрасис |
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| SYG | 0 | 0 | |a Venantius,Fortunatus,530-600,Personal and political poems,Venantius,Fortunatus,530-600,Poèmes,Venantius,Fortunatus,530-600,Carmina selecta , Visuelles Gedicht , Bild,Bildhafte Sprache,Bildsprache,Sprachliches Bild,Bildhaftigkeit , Kreuz , Kirchliche Kunst,Sakralkunst,Sakrale Kunst,Christentum , Kunst,Ikonografie , Descriptio |