Looking from the Periphery: Some Additional Thoughts on Yulin Cave 3
This chapter discusses some details of a diptych from Yulin Cave 3. It focuses on a possible link between the motifs/figures depicted and textual sources: one refers to Xuanzang (600/602-664, 玄奘) within a proto-Xiyou ji 西遊記 [Record of the Journey to the West] context; the other suggests Sudhana in t...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2020
|
| In: |
Dynamics in the history of religions
Year: 2020, Volume: 11, Pages: 230-243 |
| Further subjects: | B
Religion in Asien
B Asia B Religion B Asien-Studien B Religionswissenschaften B Ostasiatische Geschichte B History |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a This chapter discusses some details of a diptych from Yulin Cave 3. It focuses on a possible link between the motifs/figures depicted and textual sources: one refers to Xuanzang (600/602-664, 玄奘) within a proto-Xiyou ji 西遊記 [Record of the Journey to the West] context; the other suggests Sudhana in the context of the Avataṃsakasūtra. Both figures are discussed in the relation to their possible connection with the main figures in the diptych, Samantabhadra and Mañjuśrī and are tentatively positioned in a wirder pan-Buddhist narrative background of a drainage and foundation legend. | ||
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