Diné Decolonization: The Art and Activism of Hannabah Blue and Bean (Jolene) Nenibah Yazzie
In 2019, Diné artist Bean (Jolene) Nenibah Yazzie and their partner, poet and Tribal health advocate Hannabah Blue (also Diné), decided to get married. Desiring a traditional Diné ceremony, they sought a medicine person who would conduct a marriage ceremony. They struggled to find one, instead exper...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2023
|
| Dans: |
Religion and the arts
Année: 2023, Volume: 27, Numéro: 1/2, Pages: 62-85 |
| Sujets non-standardisés: | B
Diné
B Indigenous B Navajos B Gender B non-binary |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | In 2019, Diné artist Bean (Jolene) Nenibah Yazzie and their partner, poet and Tribal health advocate Hannabah Blue (also Diné), decided to get married. Desiring a traditional Diné ceremony, they sought a medicine person who would conduct a marriage ceremony. They struggled to find one, instead experiencing the homophobic and misogynistic ramifications of settler colonialism that continue to echo in their community. As in many Indigenous cultures, pre-invasion Diné customs considered women to be powerful leaders and protectors of their communities, and these customs simultaneously accepted and even celebrated gender variance beyond the cisgender male-female binary. But with colonization came the imposition of reductive gender roles drained of both respect for women and recognition of non-binary identities. |
|---|---|
| ISSN: | 1568-5292 |
| Contient: | Enthalten in: Religion and the arts
|
| Persistent identifiers: | DOI: 10.1163/15685292-02701011 |