L’assassinat de François de Lorraine (1563) et la polarisation des publics
The assassination of François de Guise by Poltrot de Méré on 24 February 1563 exercised a considerable impact on public opinion. While Protestants celebrated, Catholics paid homage to the deceased in the form of verses written in French and Latin. His tribute was orchestrated by the de Guise family,...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | French |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Iter Press
2019
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| In: |
Renaissance and reformation
Year: 2019, Volume: 42, Issue: 1, Pages: 95-112 |
| RelBib Classification: | CD Christianity and Culture CG Christianity and Politics KAG Church history 1500-1648; Reformation; humanism; Renaissance KBG France KDB Roman Catholic Church KDD Protestant Church ZG Media studies; Digital media; Communication studies |
| Online Access: |
Volltext (kostenfrei) Volltext (lizenzpflichtig) |
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| 520 | |a The assassination of François de Guise by Poltrot de Méré on 24 February 1563 exercised a considerable impact on public opinion. While Protestants celebrated, Catholics paid homage to the deceased in the form of verses written in French and Latin. His tribute was orchestrated by the de Guise family, who were responsible for the publication, via the Parisian bookseller, Thomas Richard, of a salvo of pamphlets distributed both in France and beyond its borders. This article examines the historical circumstances of the death of François de Lorraine in an attempt to shed light on the literary audiences, i.e., the Protestant and Catholic groups who gathered together to praise either the victim or the assassin. In this political, religious, and literary controversy of 1563, both sides turned to publication to spread their propaganda and to unite their supporters. | ||
| 520 | |a L’assassinat de François de Guise par Poltrot de Méré, le 24 février 1563, eut un retentissement considérable dans l’opinion publique. Pendant que les protestants se réjouissaient, les catholiques rendirent au défunt un hommage en vers français et latins. Celui-ci fut orchestré par la maison des Guises et prit la forme d’une salve de plaquettes imprimées par le libraire parisien Thomas Richard qui connurent une diffusion en France et hors de ses frontières. C’est ce corpus méconnu de vers manuscrits écrits par les protestants et des plaquettes imprimées publiées par les catholiques que nous analysons, afin d’identifier les motifs, les acteurs et les conséquences de la polémique de 1563. Il s’agira aussi d’observer les mécanismes de cette offensive, notamment par le moyen de l’ édition, et de reconstituer les modes de constitution de « publics » (auteurs et lecteurs) que s’efforcent de fédérer les deux partis antagonistes. | ||
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