Amours privées, amours publiques, amours publiées ; l’inscription de divers cercles publics dans quelques avatars des canzonieri pétrarquistes des années 1570–1580
This article proposes an analysis of the clues given in printed collections by their address to a limited public and by the circulation of individual poems prior to publication. We will analyze, from the point of view of reception by successive audiences, the tension between the paradigm of generic...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | French |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Iter Press
2019
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| In: |
Renaissance and reformation
Year: 2019, Volume: 42, Issue: 1, Pages: 257-282 |
| RelBib Classification: | KBG France TJ Modern history ZA Social sciences ZG Media studies; Digital media; Communication studies |
| Online Access: |
Volltext (kostenfrei) Volltext (lizenzpflichtig) |
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| 520 | |a This article proposes an analysis of the clues given in printed collections by their address to a limited public and by the circulation of individual poems prior to publication. We will analyze, from the point of view of reception by successive audiences, the tension between the paradigm of generic reading of the canzoniere and a published work’s inscription in a specific ethical and social context. Two very different avenues of publication are compared—involving, on the one hand, processes rooted in the context of the royal court (Jamyn and Ronsard), and on the other hand, those arising from a spouse’s mourning (Christofle du Pré and Pierre de Brach). These collections, which readapt the discursive framework of Petrarchism and extend the significance of Petrarchan motifs, permit us to discern the competition between the interpretative expectations tied to the genre of the canzoniere and those tied to addressing an appropriate readership. | ||
| 520 | |a Cet article propose une lecture des indices qui, dans des recueils imprimés, formulent une adresse à un public restreint et se réfèrent à une circulation préalable des pièces poétiques. Il s’agit d’analyser la tension, du point de vue de la réception par des publics successifs, entre le paradigme de lecture générique du canzoniere et l’inscription dans un contexte éthique et social particulier. Sont ainsi comparés des itinéraires de publication très différents : d’une part, des processus ancrés dans le contexte de la cour royale (Jamyn et Ronsard), et d’autre part, des processus naissant du deuil d’une épouse (Christofle du Pré et Pierre de Brach). Ces recueils qui détournent le cadre énonciatif pétrarquiste et étendent les significations des motifs pétrarquistes permettent d’observer la concurrence entre les attentes herméneutiques liées au genre du canzoniere et celles liées à l’adresse à un lectorat de circonstance. | ||
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