Re-Membering History: Allegory as Sacrament in Inferno's Prologue Scene
The prologue to Dante's Inferno presents a noticeable tension between ambiguous earthly history and its transcendent implications. Memory plays an important role in mediating between these dimensions and is a principal feature of Dante's allegory in the prologue, anticipating the poet'...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2022
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| Dans: |
Religion & literature
Année: 2022, Volume: 54, Numéro: 1/2, Pages: 163-184 |
| RelBib Classification: | CD Christianisme et culture KAE Moyen Âge central NBF Christologie |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | The prologue to Dante's Inferno presents a noticeable tension between ambiguous earthly history and its transcendent implications. Memory plays an important role in mediating between these dimensions and is a principal feature of Dante's allegory in the prologue, anticipating the poet's approach later in the Commedia. I propose that in the prologue Dante is engaged in a process of memorialization that shares a lot in common with the sacraments of the Mass and especially with the Eucharist: this has important implications for Dante's allegory, as well as for his language of memory, which departs in significant ways from the classical models that he inherited, reimagining memory as an active and creative principle. |
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| ISSN: | 2328-6911 |
| Contient: | Enthalten in: Religion & literature
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| Persistent identifiers: | DOI: 10.1353/rel.2022.0007 |
