PALAVRA QUE ENSINA E SOM QUE AGE: A RELIGIÃO ATRAVÉS DA MÚSICA EM BNEGÃO E WALTER FRANCO
This article aims to understand how religion happens through music in the composers BNegão and Walter Franco. Both are characterized as emitters of a post-traditional religious notion, which has its greatest inspiration in the religions of meditation and karma, but which proposes that religious lear...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Portuguese |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
UFJF
2022
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| In: |
Numen
Year: 2022, Volume: 25, Issue: 2, Pages: 120-143 |
| Further subjects: | B
BNegão
B Religion through music B Walter Franco B Yogins of 21th century |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This article aims to understand how religion happens through music in the composers BNegão and Walter Franco. Both are characterized as emitters of a post-traditional religious notion, which has its greatest inspiration in the religions of meditation and karma, but which proposes that religious learning be done autonomously, reinterpreting the role of the apprentice, yogin, so dear to these religions. Noting this, we intend to analyze how a spirituality whose main discourse is found in secular song works, investigating the socialization processes that can exist from the songs, the discourse of social actors about them and, finally, the songs themselves. | ||
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