From otium to opium (and back again?): Lockdown’s leisure industry, hyper-synchronisation and the philosophy of walking

This article provides an account of the cultural changes induced by the pandemic, and draws on the tradition of critical theory (especially the work of Horkheimer and Adorno, and Fromm) and the work of Bernard Stiegler to critically assess their impact. It is argued that the rise of online forms of...

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Bibliographische Detailangaben
VerfasserInnen: Cawood, Helen-Mary (VerfasserIn) ; Amiradakis, Mark J. (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
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Veröffentlicht: Rhodes University 2022
In: The Indo-Pacific journal of phenomenology
Jahr: 2022, Band: 22, Heft: 1
weitere Schlagwörter:B Walking
B Critical Theory
B Pandemic
B hyper-synchronisation
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Beschreibung
Zusammenfassung:This article provides an account of the cultural changes induced by the pandemic, and draws on the tradition of critical theory (especially the work of Horkheimer and Adorno, and Fromm) and the work of Bernard Stiegler to critically assess their impact. It is argued that the rise of online forms of consumption based around streaming have had a deleterious impact on the critical faculties of the individual, and argues that the practice of walking - as proposed by Frederic Gros - could potentially provide a remedy to the problems caused by the increase of uncritical cultural consumption. In this respect, it provides an original account of the relevance of both the tradition of critical theory and the work of Stiegler to the pandemic, together with providing a discussion around the act of walking as an active measure that one can implement in one’s life to counteract and (hopefully) overcome the detrimental effects that the commodification of leisure time has fostered during the pandemic.
ISSN:1445-7377
Enthält:Enthalten in: The Indo-Pacific journal of phenomenology
Persistent identifiers:DOI: 10.1080/20797222.2022.2109331