Socio-musical acculturation in Igbe and Iyayi religious movements among the Urhobo and Esan of Nigeria
This study traces the spread of the Igbe religion of the Urhobo people of Delta State in Nigeria to other ethnic cultures in the Benin Province in Nigeria where Igbe became known as the Osenughegbe and Iyayi religions. In doing this, it examines the religious, social, and musical transitions in this...
Authors: | ; |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Sage
2023
|
In: |
Critical research on religion
Year: 2023, Volume: 11, Issue: 2, Pages: 222-242 |
Standardized Subjects / Keyword chains: | B
Nigeria
/ Urhobo
/ Traditionelle afrikanische Religion
/ Ritual
/ Spiritual music
/ Interculturality
|
RelBib Classification: | AD Sociology of religion; religious policy AF Geography of religion AG Religious life; material religion AX Inter-religious relations BB Indigenous religions BS Traditional African religions KBN Sub-Saharan Africa |
Further subjects: | B
Igbe
B Music B Traditional Religion B Nigeria B Iyayi B ethnic culture |
Online Access: |
Volltext (lizenzpflichtig) |
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520 | |a This study traces the spread of the Igbe religion of the Urhobo people of Delta State in Nigeria to other ethnic cultures in the Benin Province in Nigeria where Igbe became known as the Osenughegbe and Iyayi religions. In doing this, it examines the religious, social, and musical transitions in this cross-cultural migration. This study adopts descriptive and historical approaches by deploying qualitative research methods; it elicited much of its data from interviews and non-participant observation. Ten temples were studied; five temples each were selected from the Delta and Edo states. The data drawn is descriptively presented and interpreted. The study found that Iyayi borrowed a lot from Igbe in terms of ritual practices, dressing, vocabulary, music, and dance. These greatly facilitated Igbe’s cross-cultural migration to other ethnic cultures. It concludes that Igbe music has a social value which has greatly accounted for Igbe’s influences in its cross-cultural migration with Iyayi as one of the recipients. | ||
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STC | 0 | 0 | |a Interculturalidad,Interculturalidad,Música sacra,Rito,Rito,Urrobos |
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STE | 0 | 0 | |a 宗教仪式,宗教习俗,宗教音乐,属灵音乐 |
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STG | 0 | 0 | |a Interculturalidade,Interculturalidade,Música sacra,Rito,Rito,Urrobos |
STH | 0 | 0 | |a Духовная музыка,Межкультурность (мотив),Межкультурность,Обряд (мотив),Обряд,Урхобо (язык) |
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SYG | 0 | 0 | |a Federation of Nigeria,Nigerianische Föderation,Republic of Nigeria,Bundesrepublik Nigeria,Federation of Nigeria,Nigeria,Nigerija,Federal Military Government,Nigeriia,Federal Republic of Nigeria , Afrikanische indigene Religion,Afrikanische indigene Religionen,Afrikanische Naturreligion,Afrikanische Naturreligionen,Afrikanische Stammesreligion,Afrikanische Stammesreligionen,Afrikanische traditionelle Religion,Afrikanische traditionelle Religionen,Indigene afrikanische Religion,Indigene afrikanische Religionen,Traditionelle afrikanische Religionen , Ritus <Religion>,Riten,Ritual,Riten,Rituale , Geistliche Vokalmusik,Religiöse Musik , Transkulturalität,Transkulturalität,Hybridität,Cross-culturalism,Cross-culturality |
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